Vol. 4 No. 2 (2017)

Published: 2017-12-06

Editorial

Editors’ Introduction

Simone Krüger Bridge, Sarah Baker, Raphaël Nowak

137-140
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Music and Subalternity in Argentina and Brazil

Introduction to the Special Issue Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time

Pablo Alabarces, Felipe Trotta

142-151
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Haters beyond the Hate Stigma and Prejudice against Funk Carioca on YouTube

Simone Pereira de Sá, Simone Evangelista Cunha

152-170
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“Argentina is cumbia” Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries

Malvina Silba

171-190
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Brazilian Soul and Argentinian Jazz Style, Consumption and Racialized Identities in Argentina and Brazil

Berenice Corti, Luciana Xavier de Oliveira

191-208
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Relentless Denial Female Homosexuality in Tango

Mercedes Liska

209-225
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Questionable Tastes Women, Love Songs and Gender Subalternity

Carolina Spataro

226-244
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“Tomorrow never knows” The Influence of the Beatles’ Music in Brazil

Gustavo Alonso

245-263
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Disciplinary Perspectives on Popular Music

The Moral of the Story Making Ethnomusicology Matter in the Twenty-first Century

Michael B Bakan

265-279
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Some Notes on Popular Music in my (Professional) Life

Bruno Nettl

280-289
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Pop-Rock as Musical Cosmopolitanism

Motti Regev

290-300
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Popular Music and National Identity

Rebecca M. Bodenheimer. 2015. Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba

Iván Darías Alfonso

301-303
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Irene Morra. 2014. Britishness, Popular Music, and National Identity: The Making of Modern Britain

Nabeel Zuberi

304-308
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Jonathyne Briggs. 2015. Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980

Ben Green

309-314
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Uroš Cvoro. 2014. Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia

Dijana Jelača

315-318
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Dafni Tragaki, ed. 2013. Empire of Song: Europe and Nation in the Eurovision Song Contest & Karen Fricker and Milija Gluhovic, eds. 2013. Performing the “New” Europe: Identities, Feelings and Politics in the Eurovision Song Contest

Peter Mills

319-323
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