Rebecca M. Bodenheimer. 2015. Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba

Authors

  • Iván Darías Alfonso Independent Scholar

DOI:

https://doi.org/10.1558/jwpm.29784

Keywords:

Afro-Cuban traditions and practices, Cuba, national identity, race, rumba

Abstract

Rebecca M. Bodenheimer. 2015. Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba. Jackson, MI: University Press of Mississippi. 328pp. ISBN 978-1-62846-2-395 (hbk)

References

Baker, G. 2011. Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822393931

Moore, Robin D. 2006. Music and Revolution: Cultural Change in Socialist Cuba. Berkeley: University of California Press. https://doi.org/10.1525/california/9780520247109.001.0001

Perna, V. 2005. Timba: The Sound of the Cuban Crisis. Farnham: Ashgate.

Sublette, N. 2004. Cuba and its Music: From the First Drums to the Mambo. Chicago: Chicago Review Press.

Vaughan, U. 2012. Rebel Dance, Renegade Stance: Timba Music and Black Identity in Cuba. Ann Arbor, MI: University of Michigan Press. https://doi.org/10.3998/mpub.3355867

Downloads

Published

2017-12-06

Issue

Vol. 4 No. 2 (2017)

Section

Popular Music and National Identity

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Darías Alfonso, I. (2017). Rebecca M. Bodenheimer. 2015. Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba. Journal of World Popular Music, 4(2), 301-303. https://doi.org/10.1558/jwpm.29784