Uroš Cvoro. 2014. Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia
DOI:
https://doi.org/10.1558/jwpm.28860Keywords:
Balkans, national identity, turbo-folk, YugoslaviaAbstract
Uroš Cvoro. 2014. Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia. Farnham: Ashgate. 209pp. ISBN 978-1-47242-036-7 (hbk)
References
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Gordy, Eric. 1999. The Culture of Power in Serbia: Nationalism and the Destruction of Alternatives. University Park, PA: Pennsylvania State University Press.
Jelaca, Dijana. 2015. “Feminine Libidinal Entrepreneurship: Towards a Reparative Reading of the Sponzoruša in Turbo Folk”. Feminist Media Studies 15/1: 36–52. https://doi.org/10.1080/14680777.2015.988391
Kronja, Ivana. 2001. Smrtonosni sjaj: Masovna psihologija i estetika turbo folka [Deadly glitter: Mass psychology and the aesthetics of turbo folk]. Belgrade: Tehnokratija.
