Uroš Cvoro. 2014. Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia

Authors

  • Dijana Jelača Fordham University

DOI:

https://doi.org/10.1558/jwpm.28860

Keywords:

Balkans, national identity, turbo-folk, Yugoslavia

Abstract

Uroš Cvoro. 2014. Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia. Farnham: Ashgate. 209pp. ISBN 978-1-47242-036-7 (hbk)

Author Biography

  • Dijana Jelača, Fordham University

    Adjunct Assistant Professor Department of Rhetoric, Communication and Theatre St. John's University New York

References

Baker, Catherine. 2007. “The Concept of Turbofolk in Croatia: Inclusion/Exclusion in the Construction of National Music Identity”. In Nation in Formation: Inclusion and Exclusion in Central and Eastern Europe, edited by Catherine Baker et al., 139–58. London: SSEES Publications.

Gordy, Eric. 1999. The Culture of Power in Serbia: Nationalism and the Destruction of Alternatives. University Park, PA: Pennsylvania State University Press.

Jelaca, Dijana. 2015. “Feminine Libidinal Entrepreneurship: Towards a Reparative Reading of the Sponzoruša in Turbo Folk”. Feminist Media Studies 15/1: 36–52. https://doi.org/10.1080/14680777.2015.988391

Kronja, Ivana. 2001. Smrtonosni sjaj: Masovna psihologija i estetika turbo folka [Deadly glitter: Mass psychology and the aesthetics of turbo folk]. Belgrade: Tehnokratija.

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Published

2017-12-06

Issue

Section

Popular Music and National Identity

How to Cite

Jelača, D. (2017). Uroš Cvoro. 2014. Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia. Journal of World Popular Music, 4(2), 315-318. https://doi.org/10.1558/jwpm.28860