Jonathyne Briggs. 2015. Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980
DOI:
https://doi.org/10.1558/jwpm.28975Keywords:
chanson, community, France, globalization, national identity, post-war, progressive rock, punk, regional folk, yé-yéAbstract
Jonathyne Briggs. 2015. Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980. New York: Oxford University Press. 226pp. ISBN 978-0-19937-7-060 (hbk)
References
Adorno, Theodor. 2002. “On Popular Music”. In Essays on Music, edited by Richard Leppert, translated by Susan H. Gillespie, 437–69. Berkeley: University of California Press.
Cohen, Sarah. 1993. “Ethnography and Popular Music Studies”. Popular Music 12/2: 123–38. https://doi.org/10.1017/S0261143000005511
Frith, Simon. 1982. “British Popular Music Research”. IASPM UK Working Paper, No. 1.
Jones, Simon. 1988. Black Culture, White Youth: The Reggae Tradition from JA to UK. London: Macmillan Education. https://doi.org/10.1007/978-1-349-19248-9
Nancy, Jean-Luc. 2007. The Creation of the World, or, Globalization, translated by Francois Raffoul and David Pettigrew. Albany, NY: State University of New York Press.
Sontag, Susan. 1964. “Notes on ‘Camp’”. Partisan Review 31/4: 515–30.
Cohen, Sarah. 1993. “Ethnography and Popular Music Studies”. Popular Music 12/2: 123–38. https://doi.org/10.1017/S0261143000005511
Frith, Simon. 1982. “British Popular Music Research”. IASPM UK Working Paper, No. 1.
Jones, Simon. 1988. Black Culture, White Youth: The Reggae Tradition from JA to UK. London: Macmillan Education. https://doi.org/10.1007/978-1-349-19248-9
Nancy, Jean-Luc. 2007. The Creation of the World, or, Globalization, translated by Francois Raffoul and David Pettigrew. Albany, NY: State University of New York Press.
Sontag, Susan. 1964. “Notes on ‘Camp’”. Partisan Review 31/4: 515–30.
Published
2017-12-06
Issue
Section
Popular Music and National Identity
How to Cite
Green, B. (2017). Jonathyne Briggs. 2015. Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980. Journal of World Popular Music, 4(2), 309-314. https://doi.org/10.1558/jwpm.28975
