Jonathyne Briggs. 2015. Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980

Authors

  • Ben Green Griffith University

DOI:

https://doi.org/10.1558/jwpm.28975

Keywords:

chanson, community, France, globalization, national identity, post-war, progressive rock, punk, regional folk, yé-yé

Abstract

Jonathyne Briggs. 2015. Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980. New York: Oxford University Press. 226pp. ISBN 978-0-19937-7-060 (hbk)

Author Biography

  • Ben Green, Griffith University

    PhD candidate, School of Humanities, Griffith University

References

Adorno, Theodor. 2002. “On Popular Music”. In Essays on Music, edited by Richard Leppert, translated by Susan H. Gillespie, 437–69. Berkeley: University of California Press.

Cohen, Sarah. 1993. “Ethnography and Popular Music Studies”. Popular Music 12/2: 123–38. https://doi.org/10.1017/S0261143000005511

Frith, Simon. 1982. “British Popular Music Research”. IASPM UK Working Paper, No. 1.

Jones, Simon. 1988. Black Culture, White Youth: The Reggae Tradition from JA to UK. London: Macmillan Education. https://doi.org/10.1007/978-1-349-19248-9

Nancy, Jean-Luc. 2007. The Creation of the World, or, Globalization, translated by Francois Raffoul and David Pettigrew. Albany, NY: State University of New York Press.

Sontag, Susan. 1964. “Notes on ‘Camp’”. Partisan Review 31/4: 515–30.

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Published

2017-12-06

Issue

Section

Popular Music and National Identity

How to Cite

Green, B. (2017). Jonathyne Briggs. 2015. Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980. Journal of World Popular Music, 4(2), 309-314. https://doi.org/10.1558/jwpm.28975