Vol. 7 No. 2

Published: 2013-10-18

Introduction

Introduction making things whole again—the Take That reunion

Tim Wise (Author)

117-120
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Articles

Boys will be boys re-inhabiting the homosocial sphere of Take That

David Sanjek (Author)

121-126
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Explorative, authentic and cohesive factors contributing to successful boy band reunions

Anja Löbert (Author)

127-142
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Is any press good press? Framing media content and the reunion(s) of Take That: 2005–2010

Maryn J. Edwards (Author)

143-157
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When I becomes we how prototypically ‘pop’ are a band’s lyrics after one breakup and two reunions?

Michaela Hilbert (Author)

159-184
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Multiple damnations deconstructing the critical response to boy band phenomena

Mark Duffett (Author)

185-197
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Breakup and reunion from a psychoanalytic perspective some ideas from applied Kleinian psychoanalysis

Tobias Nolte (Author)

199-210
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You can make me whole again popular music tributes embodying the reunion

Georgina Gregory (Author)

211-224
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Resources

Resource notes

Andy Linehan (Author)

225-228
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Reviews

Kirk Curnutt, Brian Wilson. Icons of Pop Music. Sheffield and Bristol, CT: Equinox, 2012. xvi + 176 pp. 11 b&w illustrations, discography, bibliography, index. ISBN-13: 978-1-90804-991-9, £50, $90 (hbk); ISBN-13: 978-1-84553-663-3, £14.99, $24.95 (pbk).

Dale Carter (Author)

229-232
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Roland Boer, Nick Cave: A Study of Love, Death and Apocalypse. Sheffield and Bristol, CT: Equinox, 2012. 212pp. ISBN 978-1-908049-67-4, £55.00 (hbk); ISBN 978-1- 781790-34-2, £17.00 (pbk).

Nathan Wiseman-Trowse (Author)

233-235
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