Vol. 21 No. 1: Special Issue: COVID-19, Music and the Asia-Pacific (Part 1)

Published: 2021-08-28

Introduction

Editorial introduction

Oli Wilson, Shelley Brunt

5–9
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Articles

Pre-existing conditions Precarity, creative justice and the impact of the COVID-19 pandemic on the Victorian music industries

Catherine Strong, Fabian Cannizzo

10–24
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Riffs

The impact of COVID-19 on music venues in regional South Australia A case study

Rosie Roberts, Sam Whiting

25–32
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I lost a gig ‘pero ok lang’ Filipino migrant musicians in Australia during the COVID-19 pandemic

Carljohnson Anacin

33–39
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‘It Was COVID-19’ Keir Nuttall on life as a songwriter in the pandemic

Gavin Carfoot

40–46
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Being a DJ in a time of zero social huddling Tales from a locked-down India

Pradip Sarkar

47–55
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Standing in/out The platformization of Tencent’s TME Live in post-pandemic China

Weida Wang

56–62
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Riffing on course redesign Leveraging pedagogy for teaching music online

Benjamin Phipps

63–68
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Hitchhiker’s guide to reality Devising an interdisciplinary radio play in a pandemic

Briony Luttrell, Hannah Joyce Banks, Andy Ward, Lachlan Goold

69–75
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Seeking the live Experiencing the COVID-19 pandemic as a postgraduate music student

Alice Rose

76–80
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Virtual shakuhachi with dai-shihan Michael Chikuzen Gould Shakuhachi learning before and during the pandemic

Sarah Renata Strothers

81–86
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