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Editorial Team
Co-editors
Shelley Brunt is the Program Manager of the BA (Music Industry) degree at RMIT University, Australia. Her research interests are in the field of ethnomusicology, with a focus on popular music in Japan, and forthcoming publications include the co-edited (with Geoff Stahl) Made in Australia and New Zealand: Studies in Popular Music (Routledge, 2017).
Oli Wilson is the Director Reserach at the College of Creative Arts, Massey University, Wellington. His main area of research is music industries in Oceania, and he specializes in the recording industry and popular music cultures in Papua New Guinea.
Review Editor
- Ian Rogers, RMIT University, Australia
Editorial Board
- Katelyn Barney, University of Queensland, Australia
- Dan Bendrups, La Trobe University, Australia
- Denis Crowdy, Macquarie University, Australia
- Steven Feld, United States
- Christine Feldman-Barrett, Griffith University, Australia
- April Henderson, Victoria University, New Zealand
- Catherine Hoad, Massey University, New Zealand
- Shane Homan, Monash University, Australia
- Bruce Johnson, University of Turku, Finland and Macquarie University, Australia
- Henry Johnson, University of Otago, New Zealand
- Jade O'Regan, University of Sydney, Australia
- Megan Rogerson-Berry, Wintec, New Zealand
- Catherine Strong, RMIT University, Australia
- Tim Taylor, University of California, Los Angeles, United States
- Kirsten Zemke, University of Auckland, New Zealand
