Vol. 14 No. 1 (2021): Special Issue: Music History and the COVID-19 Pandemic

Published: 2021-12-08

Introduction

Introduction Music history and the COVID-19 pandemic

Catherine Strong (Author)

5–8
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Articles

The Sound of Düsseldorf city walk Authenticity in real-life and virtual implementations of music heritage tourism

Giacomo Bottà (Author)

9–27
- Requires Subscription or Fee PDF (GBP 23)
To craft modern (hi)story through music Chinese rap and the main melody at the outset of the COVID-19 pandemic

Gregoire Bienvenu (Author)

28–41
- Requires Subscription or Fee PDF (GBP 23)
The pandemic disco Trauma and hope during the COVID-19 crisis

Konrad Sierzputowski (Author)

42–59
- Requires Subscription or Fee PDF (GBP 23)
Ephemeral income Considering Covid-prompted loss of ephemerality in live music through the dichotomy between labour income and capital income

Josh Barlow, Guy Morrow (Author)

60–75
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Reviews

Emily Abrams Ansari, The Sound of a Superpower: Musical Americanism and the Cold War.

Asya Draganova (Author)

76–79
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Karen Tongson, Why Karen Carpenter Matters.

Jenny Cubin (Author)

80–83
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Kimberly Kattari, Psychobilly: Subcultural Survival.

Louise Barrière (Author)

84–87
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Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational.

Wolf-Georg Zaddach (Author)

88–91
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