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  1. Home /
  2. Archives /
  3. Vol. 14 No. 1: Special Issue: Music History and the COVID-19 Pandemic

Vol. 14 No. 1: Special Issue: Music History and the COVID-19 Pandemic

Published: 2021-12-08

Introduction

  • Introduction Music history and the COVID-19 pandemic

    Catherine Strong (Author)
    5–8
    • PDF

Articles

  • The Sound of Düsseldorf city walk Authenticity in real-life and virtual implementations of music heritage tourism

    Giacomo Bottà (Author)
    9–27
    • Requires Subscription or Fee PDF (GBP 23)
  • To craft modern (hi)story through music Chinese rap and the main melody at the outset of the COVID-19 pandemic

    Gregoire Bienvenu (Author)
    28–41
    • Requires Subscription or Fee PDF (GBP 23)
  • The pandemic disco Trauma and hope during the COVID-19 crisis

    Konrad Sierzputowski (Author)
    42–59
    • Requires Subscription or Fee PDF (GBP 23)
  • Ephemeral income Considering Covid-prompted loss of ephemerality in live music through the dichotomy between labour income and capital income

    Josh Barlow, Guy Morrow (Author)
    60–75
    • Requires Subscription or Fee PDF (GBP 23)

Reviews

  • Emily Abrams Ansari, The Sound of a Superpower: Musical Americanism and the Cold War

    Asya Draganova (Author)
    76–79
    • PDF
  • Karen Tongson, Why Karen Carpenter Matters

    Jenny Cubin (Author)
    80–83
    • PDF
  • Kimberly Kattari, Psychobilly: Subcultural Survival

    Louise Barrière (Author)
    84–87
    • PDF
  • Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational

    Wolf-Georg Zaddach (Author)
    88–91
    • PDF

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