Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational.

Authors

  • Wolf-Georg Zaddach University of Music Weimar Author

DOI:

https://doi.org/10.1558/pomh.42894

Keywords:

German popular music, transnational popular music history, West Germany, GDR, German pop music journalism

Abstract

Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. Oxford and New York: Berghahn Books, 2020. 140 pp. ISBN 978-1-78920-740-8 (hbk).

Author Biography

  • Wolf-Georg Zaddach, University of Music Weimar

    Wolf-Georg Zaddach, University of Music Weimar, Germany

References

Ahlers, M., and C. Jacke. 2017. Perspectives on German Popular Music. New York: Routledge.

Appen, R. von, and T. Hindrichs. 2020. One Nation under a Groove. ‘Nation’ as Kategorie populärer Musik. Bielefeld: transcript.

Mrozek, B. 2019. Jugend, Pop, Kultur: Eine transnationale Geschichte. Berlin: Suhrkamp.

Schiller, M. 2018. Soundtracking Germany: Popular Music and National Identity. London: Rowman & Littlefield International.

Seibt, O., M. Ringsmut and D.-E. Wickström. 2020. Made in Germany: Studies in Popular Music. New York: Routledge.

Downloads

Published

2021-12-08

Issue

Vol. 14 No. 1 (2021): Special Issue: Music History and the COVID-19 Pandemic

Section

Reviews

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Zaddach, W.-G. . (2021). Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. Popular Music History, 14(1), 88–91. https://doi.org/10.1558/pomh.42894