Vol. 12 No. 2: Special Issue: Listening Again to Popular Music as History (Part 1)

Guest Editors: Paul Long and Nick Gebhardt

Published: 2020-08-21

Introduction

Listening again to popular music as history

Paul Leslie Long, Nicholas Gebhardt (Author)

147–151
- Requires Subscription or Fee PDF (GBP 23)
- Requires Subscription or Fee HTML (GBP 23)

Articles

How hard is it to remember Bananarama? The perennial forgetting of girls in music

Lucy Robinson (Author)

152–173
- Requires Subscription or Fee PDF (GBP 23)
- Requires Subscription or Fee HTML (GBP 23)
‘These stories have to be told’ Chicano rap as historical source

Dianne Violeta Mausfeld (Author)

174–193
- Requires Subscription or Fee PDF (GBP 23)
- Requires Subscription or Fee HTML (GBP 23)
‘Let us know you’re locked’ Pirate radio broadcasts as historical and musical artefact

Alex de Lacey (Author)

194–214
- Requires Subscription or Fee PDF (GBP 23)
- Requires Subscription or Fee HTML (GBP 23)
Historical Silences, Musical Noise Slim Dusty, Country Music and Aboriginal history

Toby Martin (Author)

215–236
- Requires Subscription or Fee PDF (GBP 23)
- Requires Subscription or Fee HTML (GBP 23)

Reviews

Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015

Giacomo Bottà (Author)

237–239
- PDF
- HTML
Michael Lasser, City Songs and American Life, 1900–1950

Arno van der Hoeven (Author)

240–242
- PDF
- HTML
Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie

Nathalie Weidhase (Author)

243–246
- PDF
- HTML