Vol. 1 No. 3

Published: 2015-10-02

Introduction

CO-LOCATIONS - AN INTRODUCTION

Philip Hayward

i-ii
- PDF

Articles

SIMPLY THE BEST? Tina Turner and the Sponsorship and Promotion of the Winfield Cup

Annie Girodo, Janine Payoe

8-22
- Requires Subscription or Fee PDF (GBP 23)
STAR MOVES Choreography, Choreographers and Australian Music Video

Rachael Gorham, Arielle Nakache

23-37
- Requires Subscription or Fee PDF (GBP 23)
SUCCESS IS IN THE AIR The Soundtrack, Music and Marketing of Strictly Ballroom

Meret Valtwies

38-49
- Requires Subscription or Fee PDF (GBP 23)
FROM JIM CROW TO JAZZ Imitation African-American Improvisatory Musical Practices in Pre-Jazz Australia

John Whiteoak

50-74
- Requires Subscription or Fee PDF (GBP 23)
AFTER THE RECORD The Tabaran Documentary, Papua New Guinea and InterCultural Relation

Philip Hayward

75-85
- Requires Subscription or Fee PDF (GBP 23)

Review Essay

SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival

Jilli Streit-Warburton

86-90
- PDF

Reviews

Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press.

Theo Van Leeuwen

96-98
- PDF
Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain

Philip Hayward

98-99
- PDF
Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books

Tim Sowden

99-101
- PDF
Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises

Andrew Murphie

101-103
- PDF
Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins

Mark Brown

103-104
- PDF