Vol. 18 No. 1 (2017)

Published: 2017-05-03

Introduction

Editorial Introduction

Oli Wilson

5-6
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Articles

Triangulations Musicalized drama, folklore and identity construction in Nakae Y?ji’s A Midsummer’s Okinawan Dream

Henry Johnson

7-28
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‘Another Day to Swing on Clothes Lines’ The Bee Gees and Australia

Pat O'Grady

29-47
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Musicians and the lifetime soundtrack Creation and perception of musically motivated autobiographical memories

Lauren Istvandity

48-67
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Riffs

An interview with Jonathan Crayford

Norman Lawrence Meehan

68-76
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Reviews

Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp

Catherine Hoad

77-78
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Johnson, B., ed. 2016. Antipodean Riffs. Sheffield: Equinox. ISBN 978-1-78179-2-803 (hbk). 306 pp.

Lauren Istvandity

79-80
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Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp

Matthew Bannister

81-82
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Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp.

Christina Ballico

83-84
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Marshall, L., and D. Laing, eds. 2015. Popular Music Matters: Essays in Honour of Simon Frith. Farnham: Ashgate. ISBN 978-1-4724-2179-1 (hbk). 252 pp

Martin Lussier

85-87
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