An interview with Jonathan Crayford

Authors

  • Norman Lawrence Meehan Massey University

DOI:

https://doi.org/10.1558/prbt.33321

Keywords:

informal pedagogies, jazz, hybridity, Jonathan Crayford

Abstract

In this Riff article, Norman Lawrence Meehan documents Jonathan Crayford’s recollections of how he established himself on the New York music scene during the 1990s. Crayford’s remarks traverse some of the myriad factors that obtain for musicians as they try to break into that scene.

Author Biography

  • Norman Lawrence Meehan, Massey University

    Norman Lawrence Meehan has taught for the New Zealand School of Music at Victoria University of Wellington, and for Massey University. His main areas of research are jazz, and music in New Zealand.

References

Harris, Jerome. 2000. ‘Jazz on the Global Stage’. In The African Diaspora: A Musical Perspective, ed. Ingrid Monson, 101–134. New York: Garland.

Downloads

Published

2017-05-03

Issue

Vol. 18 No. 1

Section

Riffs

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Meehan, N. (2017). An interview with Jonathan Crayford. Perfect Beat, 18(1), 68-76. https://doi.org/10.1558/prbt.33321