Vol. 19 No. 2

Published: 2019-12-04

Introduction

Editorial introduction

Shelley Brunt, Oli Wilson

105-106
- PDF
- HTML

Articles

Rationales in flux Charting transcultural Polynesian music-making processes

Andrew Faleatua

107-121
- Requires Subscription or Fee PDF (GBP 23)
- Requires Subscription or Fee HTML (GBP 23)
From punk to platforms The future echoes of user-generated content found in Fast Forward cassette magazine and Melbourne’s DIY ‘cassette culture’

Jared Davis

122-141
- Requires Subscription or Fee PDF (GBP 23)
- Requires Subscription or Fee HTML (GBP 23)
Ebbs and flows Women as musicians in Perth popular music, 1980s–1990s

Laura Glitsos

142-160
- Requires Subscription or Fee PDF (GBP 23)
- Requires Subscription or Fee HTML (GBP 23)

Riffs

An interview with Ben Grayson From digital sampling and appropriation to remixing and the affordances of technology

Gene Shill

161-171
- Requires Subscription or Fee PDF (GBP 23)
- Requires Subscription or Fee HTML (GBP 23)

Reviews

Pauwke Berkers and Julian Schaap. 2018. 'Gender Inequality in Metal Music Production'

Catherine Hoad

172-174
- PDF
- HTML
Shelton Waldrep. 2016. 'Future Nostalgia: Performing David Bowie'

Alison Blair

175-177
- PDF
- HTML
Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. 'Popular Music Industries and the State: Policy Notes'

Emma-Jayne Reekie

178-180
- PDF
- HTML