Pauwke Berkers and Julian Schaap. 2018. 'Gender Inequality in Metal Music Production'

Authors

  • Catherine Hoad Massey University

DOI:

https://doi.org/10.1558/prbt.37160

Keywords:

heavy metal, gender, feminism, performance

Abstract

Pauwke Berkers and Julian Schaap. 2018. Gender Inequality in Metal Music Production. London: Emerald Books. ISBN 978-1-78714-675-4 (pbk). 176 pp.

Author Biography

Catherine Hoad, Massey University

Catherine Hoad is a lecturer and research coordinator in the School of Music and Creative Media Production at Massey University, Wellington. She received her PhD in Media, Music and Cultural Studies from Macquarie University, Sydney in 2016. Catherine’s research critiques and theorises constructions of ethnonational and gendered belongings in heavy metal scenes, with a particular focus on geolocalised discourses of metal and whiteness. Her work has appeared in Popular MusicMetal Music Studies, and the International Journal of Community Music, and she is currently editing a collection on Australian heavy metal scenes, cultures and practices. 

References

Hill, Rosemary L. 2016. Gender, Metal and the Media: Women Fans and the Gendered Experience of Music. London: Palgrave Macmillan. https://doi.org/10.1057/978-1-137-55441-3_7

Riches, Gabby. 2015. ‘Re-conceptualizing Women’s Marginalization in Heavy Metal: A Feminist Post-Structuralist Perspective’. Metal Music Studies 1/2: 263–70. https://doi.org/10.1386/mms.1.2.263_1

Walser, Robert. 1993. Running with the Devil: Power, Gender and Madness in Heavy Metal Music. Hanover, CT: Wesleyan University Press.

Weinstein, Deena. 2000. Heavy Metal: The Music and Its Culture, rev. edn. Boston, MA: Da Capo Press.

Published

2019-12-04

How to Cite

Hoad, C. (2019). Pauwke Berkers and Julian Schaap. 2018. ’Gender Inequality in Metal Music Production’. Perfect Beat, 19(2), 172-174. https://doi.org/10.1558/prbt.37160

Issue

Section

Reviews