Vol. 2 No. 1 (2015)

Published: 2015-06-29

Editorial

Editors' Introduction

Simone Krüger, Sarah Baker

5-7
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Technology and Ownership

Introduction Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World

Andrew Alter, Denis Crowdy, Steve Collins

8-18
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Musical Ownership and Pop-folk on Jersey Sustaining Tradition through Intervention, Technology and Creative Practice

Henry Johnson

19-39
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Taporak’s Travels Paths of Transmission of a Piece of Music from a Remote Island Repertoire

Tony Lewis

40-60
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When Digital is Physical and Ethnomusicologists are File Sharers

Denis Crowdy

61-77
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World Music as Evolving Tradition Cultural Expression in Contemporary Music Practices

Diane Hughes, Sarah Keith

78-100
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Space, Place and Globalization

Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization

Yona Stamatis

102-107
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Thomas Burkhalter. 2013. Local Music Scenes and Globalization: Transnational Platforms in Beirut

Ross Hagen

108-113
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Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music

Imani Sanga

114-118
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Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon

Thomas R Hilder

119-124
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Popular Music in Europe

Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music

Duncan Wheeler

126-130
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Franco Fabbri and Goffredo Plastino, eds. 2014. Made in Italy: Studies in Popular Music

Motti Regev

131-134
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Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]

Arno van der Hoeven

135-141
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Lila Ellen Gray. 2013. Fado Resounding: Affective Politics and Urban Life

Pedro Felix

142-146
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