Franco Fabbri and Goffredo Plastino, eds. 2014. Made in Italy: Studies in Popular Music. London: Routledge. 256pp. ISBN 978-0-415-89976-5 (hbk)

Authors

  • Motti Regev Open University of Israel

DOI:

https://doi.org/10.1558/jwpm.v2i1.27105

Keywords:

Italy, musica neomelodica, canzone d'autore

Abstract

Franco Fabbri and Goffredo Plastino, eds. 2014. Made in Italy: Studies in Popular Music. London: Routledge. 256pp. ISBN 978-0-415-89976-5 (hbk)

References

Santoro, Marco. 2002. “What is a ‘Cantautore?’ Distinction and Authorship in Italian (Popular) Music”. Poetics 30: 111–32. http://dx.doi.org/10.1016/S0304-422X(02)00002-5

—2006. “The Tenco Effect: Suicide, San Remo, and the Social Construction of the Canzone d’Autore”. Journal of Modern Italian Studies 11: 342–66. http://dx.doi.org/10.1080/13545710600806862

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Published

2015-06-29

How to Cite

Regev, M. (2015). Franco Fabbri and Goffredo Plastino, eds. 2014. Made in Italy: Studies in Popular Music. London: Routledge. 256pp. ISBN 978-0-415-89976-5 (hbk). Journal of World Popular Music, 2(1), 131–134. https://doi.org/10.1558/jwpm.v2i1.27105

Issue

Section

Popular Music in Europe