Vol. 3 No. 1

Published: 2010-12-22

Articles

Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu

Timothy Koozin

5-17
- Requires Subscription or Fee PDF (GBP 23)
Paths Between the Spiritual and the Real On the Intersection of Musical Style, Symmetry, and Cycle in Kenji Mizoguchi’s Ugetsu (1953)

David Pacun

19-36
- Requires Subscription or Fee PDF (GBP 23)
Infusing Modern Subjectivity into a Premodern Narrative Form Masahiro Shinoda and Toru Takemitsu’s Collaboration in Double Suicide (1968)

Yayoi Uno Everett

37-49
- Requires Subscription or Fee PDF (GBP 23)
Gaze from the Heavens, Ghost from the Past Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985)

Tomoko Deguchi

51-64
- Requires Subscription or Fee PDF (GBP 23)
Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993)

Timothy Koozin

65-78
- Requires Subscription or Fee PDF (GBP 23)

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