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William H. Rosar, University of California, San Diego, United States
William H. Rosar is a cognitive musicologist and neuroscientist. Founder of the Film Music Society based in Los Angeles he is editor of The Journal of Film Music. He did doctoral studies in philosophy at UCSD and cognitive psychology at UCLA and interdisciplinary studies in musicology and psychology at the Claremont Graduate School. He worked in human factors in telerobotics at NASA-JPL and later taught history and analysis of film music in USC's Scoring for Motion Pictures and Television Program. Currently he is a Research Associate in the Center for Brain and Cognition at UCSD.
Leslie N. Andersen, California State University, United States
Leslie Andersen is Arts Librarian at California State University, Long Beach. She is co-editor of the Union Catalog of Motion Picture Music and the author of "Women Film and Television Composers in the United States" (in The Musical Woman: An International Perspective, Volume III, 1986-1990. New York: Greenwood Press, 1991). She is the former Coordinator of the Film Music Roundtable of the Music Library Association and is editor of Video Reviews for Notes: Quarterly Journal of the Music Library Association.
Michael W. Harris, Utah State University Eastern, United States
Michael Beckerman, New York University, United States
Giorgio Biancorosso, University of Hong Kong, China
Matthew Brown, Eastman School of Music, United States
Kevin J. Donnelly, University of Southampton, United Kingdom
Roger Hickman, California State University, Long Beach, United States
Michael C. LaBossiere, Florida A&M University, United States
Frank Lehman, Tufts University, United States
Miguel Mera, Royal College of Music, United Kingdom
Tom Schneller, Eastman School of Music, United States
Jeff Smith, University of Wisconsin, Madison, United States
James L. Zychowicz, Independent scholar, United States