Vol. 17 No. 1–2 (2024): Special Issue: Creative practice in jazz research

Guest Editors: Haftor Medbøe and Tom Sykes

Published: 2024-11-28

Editorial

Editorial Creative practice in jazz research

Haftor Medbøe, Tom Sykes

5–7
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Articles

Do improvisers intend? A small survey

Sven Bjerstedt

8–31
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From a place of silence Articulations of the unspoken

Haftor Medbøe

32–50
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Practice research in free improvisation Investigating relationships between interaction and musical identity

Gonçalo Prazeres

51–74
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Recontextualizing the referent An iterative approach to composition and collective music-making

Kyle Irwin

75–96
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From my music to our music Linking rehearsal and recording in jazz

Stein Helge Solstad

97–117
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Beat breakers and disrupting jazz through creative collaboration

Jeremy Rose

118–148
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Musical improvisation and space

Heli Reimann

149–169
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Contemporary music improvisation for silent film Challenging and evoking the jazz canon

José Dias

170–192
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Walrus Pipes and Waving Panpipes 3D printed instrument designs for speculative community music

Bálint Szabó

193–222
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Poetry and jazz

Yvetta Kajanova

223–257
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Ethics, hermeneutics, and lessons from jazz

Sam McAuliffe

258–272
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