Ethics, hermeneutics, and lessons from jazz

Authors

  • Sam McAuliffe Monash University

DOI:

https://doi.org/10.1558/jazz.27335

Keywords:

Martin Heidegger, Hans-Georg Gadamer, Improvisation, Original Ethics, Place

Abstract

Ethics is often reserved for ‘serious’ situations, where people’s lives and/or livelihoods are at risk. But is ethics that selective? Perhaps we obscure part of what is at issue when we pick and choose what constitutes being worthy of ethical consideration. In this article it is argued that ethics is a ubiquitous character of life, and that insofar as we attend and respond to the world, we necessarily engage in ethics. Jazz improvisation is taken to offer insight into how we might live in accord with ‘hermeneutical ethics’ or what Heidegger refers to as a ‘dwelling life’.

Author Biography

  • Sam McAuliffe, Monash University

    Sam McAuliffe is the author of Improvisation in Music and Philosophical Hermeneutics, editor of Gadamer, Music, and Philosophical Hermeneutics, and regularly works across both music and philosophy. He is affiliated with Monash University.

References

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McAuliffe, Sam (2021a) ‘Beyond the Performer: Gadamer, Pareyson, and the Hermeneutics of Improvised Musical Performance’. Journal of Aesthetics and Phenomenology 8/2: 119–33. https://doi.org/10.1080/20539320.2021.2083367

McAuliffe, Sam (2021b) ‘Defending the “Improvisation as Conversation” Model of Improvised Musical Performance’. Jazz Perspectives 13/1: 1–13. https://doi.org/10.1080/17494060.2021.1889640

McAuliffe, Sam (2023) Improvisation in Music and Philosophical Hermeneutics. London: Bloomsbury Academic.

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Published

2024-11-28

How to Cite

McAuliffe, S. (2024). Ethics, hermeneutics, and lessons from jazz. Jazz Research Journal, 17(1–2), 258–272. https://doi.org/10.1558/jazz.27335