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  1. Home /
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  3. Vol. 7 No. 1 (2012)

Vol. 7 No. 1 (2012)

Published: 2013-02-05

Articles

  • Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society

    Marcus Collins (Author)
    5-23
    • Requires Subscription or Fee PDF (GBP 23)
    • Requires Subscription or Fee HTML (GBP 23)
  • Authenticity as authenticating the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis

    Richard Ekins (Author)
    24-52
    • Requires Subscription or Fee PDF (GBP 23)
    • Requires Subscription or Fee HTML (GBP 23)
  • Mapping live provisions in Welsh-language rock, 1978–80

    Craig Owen Jones (Author)
    53-81
    • Requires Subscription or Fee PDF (GBP 23)
    • Requires Subscription or Fee HTML (GBP 23)
  • A cool reception to the American Beat The Fleshtones in Britain, 1981–83

    Philip Kiszely (Author)
    82-101
    • Requires Subscription or Fee PDF (GBP 23)
    • Requires Subscription or Fee HTML (GBP 23)

Resources

  • Resource notes

    Dave Laing (Author)
    102-104
    • PDF
    • HTML

Reviews

  • Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk).

    Faye Woods (Author)
    105-107
    • PDF
    • HTML
  • Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk).

    Paula Hearsum (Author)
    108-110
    • PDF
    • HTML

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