To dance or not to dance?
Aesthetic subversion of the body politic in the GDR
DOI:
https://doi.org/10.1558/pmh.22314Keywords:
aesthetics, body politic, dancing, resistance, GDRAbstract
This article discusses the body politic of the GDR in the context of leisure and dancing. Two case studies are employed to show how conventional Western methods of describing and defining a musical event fail to capture the social aspect of popular music dancing in East Germany. The embodiment of popular music through dancing is proposed as an aesthetic choice that subverts official body politic and offers a non-verbal form of resistance. Through the focus on the body and the creation of affective communities, this article shows how young people were able to escape state control and regain a level of agency that might not have existed otherwise. By introducing aesthetics as a method of enquiry, a wider examination of the relationship between the body, politics and popular music is enabled.
References
Benessaieh, A. 2019. ‘Six Theses on Transculturality: A View from the New World’. In Le Canada: une culture de métissage/Transcultural Canada, ed. P. Morris, 19–38. Québec: Presses de l’Université Laval. https://doi.org/10.2307/j.ctv1gbrwgp.5
Berlin, Alex. 2014. ‘Bluesmessen in der DDR’. 15 March. https://www.youtube.com/watch?v=N826jWkdL04
Bretschneider, S. 2018. ‘Tanzmusik in der DDR. Dresdner Musiker zwischen Kulturpolitik und internationalem Musikmarkt, 1945–1961’. Bielefeld: transcript. https://doi.org/10.1515/9783839445631
Carter, A., and J. O’Shea, eds. 2010. The Routledge Dance Studies Reader. London and New York: Routledge.
Desmond, J. 1997. Meaning in Motion: New Cultural Studies of Dance. Durham, NC: Duke University Press. https://doi.org/10.2307/j.ctv11sn2b4
Dils, A., and A. Cooper Albright. 2001. Moving History/Dancing Cultures: A Dance History Reader. Middletown, CT: Wesleyan University Press.
Eckert, R. 2008. ‘Grundelemente der kommunistischen Diktatur in Deutschland: Widerstand, Opposition und Repression’. In Zwischen Haß und Hoffung: Die Blues-Messen 1979–1986, D. Moldt, 9–34. Berlin: Robert Havemann-Gesellschaft.
Eppelmann, R. 2008. ‘Interviews’. In Zwischen Haß und Hoffung: Die Blues-Messen 1979–1986, D. Moldt, 2–20. Berlin: Robert Havemann-Gesellschaft.
Fikentscher, K. 2000. “You better work!” Underground Dance Music in New York City. Hanover, NH: Wesleyan University Press.
Foucault, M. 1991. Discipline and Punish: The Birth of the Prison. Harmondsworth: Penguin Books.
Jansen, W. 1999. ‘“Heute, tanzen alle jungen Leute, im Lipsi-Schritt, nur noch im Lipsi-Schritt...”: SED und Jugend in den fünfziger Jahren’. Hallische Beiträge zur Zeitgeschichte 6: 58–74. http://dx.doi.org/10.25673/33773
Klein, G. 2004. Electronic Vibration: Pop Kultur Theorie. Wiesbaden: VS Verlag für Sozialwissenschaften.
Kolesch, D., and H. Knoblauch. 2019. ‘Audience Emotion’. In Affective Societies: Key Concepts, ed. J. Slaby and C. v. Scheve, 252–63. London and New York: Routledge. https://doi.org/10.4324/9781351039260-22
MDR Sachsenspiegel. 2019. ‘Der Lipsi wird 60 Jahre alt’. 13 January. https://www.youtube.com/watch?v=0OW4IWQDvY4
Moldt, D. 2008. Zwischen Haß und Hoffnung. Die Blues-Messen 1979–1986. Berlin: Robert Havemann-Gesellschaft.
Mrozek, B. 2021. Jugend – Pop – Kultur. Eine transnationale Geschichte. Bonn: Bundeszentrale für politische Bildung.
Peter, B. 2019. ‘Experiential Knowledge: Dance as Source for Popular Music Historiography’. Popular Music History 12/3: 275–94. https://doi.org/10.1558/pomh.39678
Prieberg, F. K. 1968. Musik im anderen Deutschland. Köln: Verlag Wissenschaft und Politik.
Primavesi, P., J. Raschel, T. Jacobs and M. Wehren. 2015. ‘Körperpolitik in der DDR. Tanzinstitutionen zwischen Eliteförderung, Volkskunst und Massenkurltur’. Denkströme: Journal der sächsischen Akademie der Wissenschaften 14: 9–44.
Punday, D. 2000. ‘Foucault’s Body Tropes’. New Literary History 31/3: 509–28. https://doi.org/10.1353/nlh.2000.0037
Rauhut, M. 2017. ‘With God and Guitars: Popular Music, Socialism, and the Church in East Germany’. Popular Music and Society 40/3: 292–309. https://doi.org/10.1080/03007766.2017.1300504
Rauhut, M., and T. Franke. 2014. ‘Im Namen des Herrn. Kirche, Pop und Sozialismus’. Armada Film. Rundfunk Berlin-Brandenburg. https://www.youtube.com/watch?v=EBuL2TSEJzY
Shapiro, S. B. 2017. ‘Haunted by Meaning: Dance as Aesthetic Activism’. In The Oxford Handbook of Dance and Wellbeing, ed. V. Karkou, S. Oliver and S. Lycouris, 661–80. Oxford and New York: Oxford University Press. https://doi.org/10.1093/oxfordhb/9780199949298.013.31
Zink, V. 2019. ‘Affective Communities’. In Affective Societies: Key Concepts, ed. J. Slaby and C. v. Scheve, 289–99. London and New York: Routledge. https://doi.org/10.4324/9781351039260-25
Archives
Bundesstiftung Aufarbeitung. Vorlass Eppelmann.
Das Bundesarchiv. Tagungen des Zentralkommittees der SED. http://www.argus.bstu.bundesarchiv.de/dy30tzk/index.htm
Das Bundesarchiv. Tagungen des Parteivorstandes.
Neues Deutschland. Organ des Zentralkommittees der Sozialistischen Einheitspartei Deutschlands. Archiv der Ausgaben von 1946–1990. https://www.nd-archiv.de/service/impressum/4.html