In my tomb

Unveiling the Beach Boys state historical landmark

Authors

  • Dale Carter Aarhus University

DOI:

https://doi.org/10.1558/pomh.39054

Keywords:

Beach Boys, popular music, cultural heritage, landmark, tourism

Abstract

In recent decades, popular music in the USA, UK and elsewhere has increasingly been addressed as cultural heritage: by state authorities, commercial and professional interests, and fans. This article contributes to the growing scholarship on popular music heritage through a case study of the 2005 dedication of a California state historical landmark at the site of the Beach Boys’ childhood home and the process that enabled it. Drawing on concepts rehearsed by scholars in popular music, heritage studies and related fields, it identifies the discourses and interests attached to the exercise, and argues that the landmark’s establishment saw a high degree of cooperation between public officials, professional interests and grass-roots activists. Although the landmark risked enshrining and entombing the group in a monument to their early-era image of surf, sand and romance, its dedication ceremony saw fans recognizing the group in more informed, realistic, respectful and up-to-date ways.

Author Biography

Dale Carter, Aarhus University

Dale Carter is Associate Professor of American Studies at the English Department, Aarhus University, Denmark, and Director of its American Studies Center. He is author and editor of a number of books on aspects of 20th century American history, society and culture, and has published a range of scholarly articles on the Beach Boys, Van Dyke Parks and Brian Wilson.

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Published

2021-04-01

How to Cite

Carter, D. (2021). In my tomb: Unveiling the Beach Boys state historical landmark. Popular Music History, 13(3), 254–272. https://doi.org/10.1558/pomh.39054

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Articles