Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere.

Authors

  • Melanie Schiller Rijksuniversiteit Groningen Author

DOI:

https://doi.org/10.1558/pomh.42891

Keywords:

Post-Punk, Post-industrial cities, Industrial sound, deindustrialization

Abstract

Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. London: Rowman & Littlefield, 2020. 213 pp. ISBN 978-1-78660-737-9 (hbk).

Author Biography

  • Melanie Schiller, Rijksuniversiteit Groningen

    Faculty of Arts, Rijksuniversiteit Groningen, Netherlands

References

Attali, J. 1985. Noise: The Political Economy of Music. Manchester: Manchester University Press.

Jameson, F. 1974. ‘The Vanishing Mediator: Narrative Structure in Max Weber’. New German Critique 1: 52–89.

Williams, R. 1981. Politics and Letters: Interviews with New Left Review. London: Verso.

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Published

2022-06-22

Issue

Vol. 14 No. 2: Special Issue: Narrating Popular Music Histories of the GDR: A Critical Reflection of Approaches, Sources and Methods

Section

Reviews

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Schiller, M. (2022). Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. Popular Music History, 14(2), 209–212. https://doi.org/10.1558/pomh.42891