A Question of Standards

"My Funny Valentine" and Musical Intertextuality

Authors

  • Alan Stanbridge University of Toronto

DOI:

https://doi.org/10.1558/pomh.v1i1.83

Keywords:

Intertextuality, Musical Theatre

Abstract

Umberto Eco’s understanding of postmodernism as the “ironic rethinking” of the past is one that insists – by definition – on a contextualist reading of cultural texts. In this sense, then, an understanding of the dialogical mutuality of texts and contexts – “postmodern” or otherwise – is inherent in Eco’s formulation, suggesting that any analysis of intertextuality must engage with issues not only of textuality but also of social and cultural history. In this paper, drawing on Eco’s insightful model, I propose an expanded understanding of musical intertextuality that moves beyond issues of appropriation and quotation, to examine not only the interrelationship of cultural texts but also the interaction of those texts with their socio-historical contexts: aspects of intertextuality which textually biased approaches inevitably fail to address. My analysis focuses on recordings of the popular standard “My Funny Valentine” by Frank Sinatra, Tony Bennett, and Miles Davis, addressing a range of both textual and contextual issues, and tracing the song back to its Broadway origins in Babes in Arms, the 1937 stage musical by the songwriting team of Richard Rodgers and Lorenz Hart. The analytical method is one that allows a broadly eclectic theoretical approach to the complexities of contemporary music and its canons, denying narrow interpretations of musical meaning and cultural value, and offering instead a suggestively intertextual reading of musical forms and practices. I argue that intertextuality needs to be understood as a fundamentally historical phenomenon, in which questions of meaning and value remain constantly in flux – revisited, reinterpreted, and reassessed as an understanding of the complex interrelationship of texts and contexts is broadened and deepened.

Author Biography

Alan Stanbridge, University of Toronto

Alan Stanbridge is an Assistant Professor in Visual and Performing Arts and Arts Management at the University of Toronto, and is cross-appointed in the Graduate Department of Music and the Museum Studies Program. His research explores the manner in which discursive practices have served to influend the production, circulation, and reception of a wide range of contemporary music, and he has published articles on cultural theory, cultural policy, jazz history, and musicology. Previously, Stanbridge pursued a 15-year career in professional arts management and music promotion in Britain, during which time he held the post of Director of the Glasgow International Jazz Festival. Department of Humanities University of Toronto 1265 Military Trail Toronto, Ontario Canada M1C 1A4

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Published

2004-02-04

How to Cite

Stanbridge, A. (2004). A Question of Standards: "My Funny Valentine" and Musical Intertextuality. Popular Music History, 1(1), 83–108. https://doi.org/10.1558/pomh.v1i1.83

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