Improvised performance in World Music

Finding the violin in unexpected places

Authors

  • Jonathan Feig Musician and Music Educator Author

DOI:

https://doi.org/10.1558/pomh.v3i3.305

Keywords:

improvisation, violin, violinist, world music

Abstract

This article examines the careers as well as the personal and musical styles of six violinists across a spectrum of World Music during the second half of the twentieth century. The article argues that producers, promoters and managers should find ways to support virtuoso live performers in presenting their personal relationship to tradition and its transformation and fusion. This includes identifying the roles in which each individual musician feels most at ease and creative on the bandstage and in the recording studio, that is, whether he or she performs best as a leader, collaborator or sideman.

Author Biography

  • Jonathan Feig, Musician and Music Educator

    Jonathan Feig is a violinist and music educator from NYC, currently residing in Denmark. He has a BA in Jazz Studies from William Paterson College and an MA in Linguistics and Language Teaching from the City University of New York. He is currently working as a leader, collaborator and sideman with such groups as Djursjazz, The Feig/ Hedetoft Group and Analogik.

References

Crouch, S. 2005. ‘The Colossus: When Sonny Rollins is at His Best’. The New Yorker Magazine May 9.

Feig, J. 2001. ‘Visionary Violinist’, Hinduism Today (March/April).

Hansen, A. 2004. ‘Writing Indigenous Belonging: Ownership in the Construction of Identity in Japan’. In The Politics of Multiple Belonging, eds Flemming Christiansen and Ulf Hedetoft, 221–38. London and Burlington: Ashgate.

Hutnyk, J. 2009. ‘Diasporic Music in a Time of War’. In World Music: Roots and Routes, ed. Tuulikki Pietilä. Helsinki: Collegium for Advanced Studies e-book series, vol. 6: http:// www.helsinki.fi/collegium/e-series/volumes/volume_6/index.htm (accessed August 2006).

Peraza, C. A. “Chombo Silva: A Tribute to the Magician of Baracoa.” New York City: Latin Jazz Network.

Said, E. 1979. Orientalism. New York: Vintage.

Internet sources

Brown, Clarence Gatemouth: biography. http://www.gatemouth.com/bio.htm

De La Fe, Alfredo: biography. http://www.vh1.com/artists/az/de_la_fe_alfredo/bio.jhtml

De La Fe, Alfredo: violinist Alfredo De La Fe is back with beautiful music and a message. J. Varela, reprinted in Latin Beat Magazine, March 2003. Looksmart. http://www. findarticles.com/p/articles/mi_m0FXV/is2_13/ai_100731482/print (accessed August 2006).

De La Fe, Alfredo: European Jazz Network Musicians. http://www.ejn.it/mus/delafe.htm

Shaheen, Simon: biography. AOL Music. http://music.channel.aol.com/artist/main. adp?tab=bio&artistid=3432

Shaheen, Simon: Maqam Arabic Music. http://www.maqam.com/artists/shaheen.shtml

Shaheen, Simon: Global Village Idiot. http://www.globalvillageidiot.net/shaheen.htm

Shaheen, Simon: Concert Schedule: The Near East Music Ensemble. http://www.heartheworld.org/touring/upcoming/SimonShaheen_ (accessed August 2006).

Shanka, L.: Profile by L. Underwood. Reprinted from Downbeat Magazine, November 2, 1978. http://www.cs.cf.ac.uk/Dave/mclaughlin/art/shankar.html

Shankar, L.: Wikipedia entry. http://en.wikipedia.org/wiki/L._

Shankar Williams, Claude ‘Fiddler’: biography. AOL Music. http://music.channel.aol.com/artist/ main.adp?tab=bio&artistid=138072

Williams, Claude: biography: Excerpted from progressive CD liner notes, 1995. http://shoko. calarts.edu/~chung/artists/ClaudeWilliamsbio.html (accessed August 2006).

CDs, DVDs, and films

CDs

Blue Flame. S. Shaheen and Qantara. Ark 21 Records, 2001.

Orchestra Rytmo Africa-Cubana. Alfredo De La Fe. Vol. 1, 1992.

Live at J’s Part 1. C. Williams. Arhoolie Records, 1993.

DVD

Clarence ‘Gatemouth’ Brown Live In New Orleans. C. G. Brown. Track 11: ‘Up Jumped The Devil’. Trad. Storyville Records, 1984.

Film

Louie Bluie. Dir. T. Zwigoff. Pacific Arts Video, 1985.

Published

2009-09-06

Issue

Section

Articles

How to Cite

Feig, J. (2009). Improvised performance in World Music: Finding the violin in unexpected places. Popular Music History, 3(3), 305-323. https://doi.org/10.1558/pomh.v3i3.305