Reviews in brief
DOI:
https://doi.org/10.1558/pomh.v9i3.31856Keywords:
madness, rock and roll, art of record productionAbstract
Nicola Spelman, Popular Music and the Myths of Madness. Farnham and Burlington, VT: Ashgate, 1994. 194 + xi pp. £95. ISBN 978-1-4094-1831-3 (hbk). Simon Frith and Simon Zagorski-Thomas, eds, The Art of Record Production: An Introductory Reader for a New Academic Field. Farnham: Ashgate, 2012. 301 + xix pp. £20. ISBN 978-1-4094-0678-5 (pbk). Larry Birnbaum, Before Elvis: The Prehistory of Rock ’n’ Roll. Lanham, MD: Scarecrow Press, 2013. 461 + x pp. $44. ISBN 978-0-8108-8628-5 (pbk).References
Nicola Spelman, Popular Music and the Myths of Madness. Farnham and Burlington, VT: Ashgate, 1994. 194 + xi pp. £95. ISBN 978-1-4094-1831-3 (hbk).
Simon Frith and Simon Zagorski-Thomas, eds, The Art of Record Production: An Introductory Reader for a New Academic Field. Farnham: Ashgate, 2012. 301 + xix pp. £20. ISBN 978-1-4094-0678-5 (pbk).
Larry Birnbaum, Before Elvis: The Prehistory of Rock ’n’ Roll. Lanham, MD: Scarecrow Press, 2013. 461 + x pp. $44. ISBN 978-0-8108-8628-5 (pbk).
Simon Frith and Simon Zagorski-Thomas, eds, The Art of Record Production: An Introductory Reader for a New Academic Field. Farnham: Ashgate, 2012. 301 + xix pp. £20. ISBN 978-1-4094-0678-5 (pbk).
Larry Birnbaum, Before Elvis: The Prehistory of Rock ’n’ Roll. Lanham, MD: Scarecrow Press, 2013. 461 + x pp. $44. ISBN 978-0-8108-8628-5 (pbk).
Published
2016-09-08
Issue
Section
Reviews
How to Cite
Laing, D. (2016). Reviews in brief. Popular Music History, 9(3), 306-308. https://doi.org/10.1558/pomh.v9i3.31856