Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock.

Authors

  • Brent Keogh University of Technology Sydney

DOI:

https://doi.org/10.1558/prbt.41813

Keywords:

genre, jazz, rock’n’roll, popular music studies, music criticism

Abstract

Matt Brennan. 2017. <i>When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock.</i> New York and London: Bloomsbury.

References

Frith, Simon. 2001. ‘Pop Music’. In The Cambridge Companion to Pop and Rock, ed. Simon Frith, Will Straw and John Street, 275–318. Cambridge: Cambridge University Press.

Taylor, J. 2013. ‘Lesbian Musicalities, Queer Strains and Celesbian Pop: The Poetics and Polemics of Women-Loving-Women in Mainstream Popular Music’. In Redefining Mainstream Popular Music, ed. Sarah Baker, Andy Bennett and Jodie Taylor, 39–49. New York: Routledge.

Downloads

Published

2020-09-22

Issue

Vol. 20 No. 1

Section

Reviews

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Keogh, B. (2020). Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. Perfect Beat, 20(1), 101–104. https://doi.org/10.1558/prbt.41813