BLACK ROCK AND BROOME

Musical and Cultural Specificities

Authors

  • Chris Lawe Davies

DOI:

https://doi.org/10.1558/prbt.v1i2.28586

Keywords:

Australian Music Industry, Aboriginal Rock

Abstract

explores the concept of authenticity in Aboriginal rock

References

Benterrek, K. et al (1984) Reading the Country, Fremantle: Fremantle Arts Centre Press.

Breen, M. (ed) (1989) Our Place, Our Music, Canberra: Aboriginal Studies Press.

----(1992) 'Desert Dreams' in Garofalo, R. (ed) Rockin' The Boat: Mass Music and Mass Movements, Boston: South End Press.

Castles, J. (1992) 'Tjungaringanyi: Aboriginal Rock' in Hayward, P. (ed) From Pop to Punk to Postmodernism, Sydney: Allen and Unwin.

Chambers, I. (1987) 'Maps for the Metropolis', Cultural Studies vl nl.

Chi, J. (1991) Bran Nue Dae, Sydney: Currency/Magabala.

Clifford, J. (1988) The Predicament of Culture: 20th Century Ethnography, Literature and Art, Cambridge (Mass): Harvard University Press.

Foucault, M. (1976) The History of Sexuality (Volume One), Harmondsworth (UK): Penguin.

Grossberg, L. (1984) 'Another Boring Day in ParadiseRock and Roll and the Empowerment of Everyday Life, Popular Music n4.

Hayward, P. (1992) 'Safe, Exotic and Somewhere Else', Perfect Beat vl n2 (this issue).

Hebdige, D. (1979) Subcultures, London: Methuen.

Hodge, R. (1990) 'Aboriginal truth and the white media: Eric Michaels meets the spirit of Aboriginalism' Continuum v3 n2.

In The MixABC Radio National (1991) broadcast September 6th.

Lawe Davies, C. (forthcoming, 1993) 'Aboriginal Rock Music; Space and Place' in Bennett, T. et al Rock and Popular Music: Policies, Politics, Institutions, London:

Routledge.

Michaels, E. (1986) The Aboriginal Invention ofTelevision, Canberra: Australian Institute of Aboriginal Studies.

Neuenfeldt, K. (forthcoming, 1993) 'Yothu Yindi and the Ganma: the Cultural transposition of the Aboriginal Agenda through Metaphor and Music', Journal of Australian Studies.

Said, E. (1985) Orientalism, Harmondsworth (UK): Penguin.

Published

2015-09-30

Issue

Section

Articles

How to Cite

Davies, C. (2015). BLACK ROCK AND BROOME: Musical and Cultural Specificities. Perfect Beat, 1(2), 48-59. https://doi.org/10.1558/prbt.v1i2.28586