TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION

An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea

Authors

  • Michael Webb

DOI:

https://doi.org/10.1558/prbt.v1i2.28587

Keywords:

Tabaran, musical appropriation

Abstract

Musical appropriation is a two-way traffic and elements from new musical vocabularies are assimilated by various parties for different ends. In this article I address issues involved in musical border crossing (and border repositioning) in the context of examining Tabaran, the musical collaboration between musicians of Rabaul, Papua New Guinea and the Melbourne musicians, Not Drowning, Waving (henceforth NDW), released early in 1991

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Published

2015-09-30

Issue

Section

Articles

How to Cite

Webb, M. (2015). TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION: An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea. Perfect Beat, 1(2), 1-15. https://doi.org/10.1558/prbt.v1i2.28587