EAST OF HONOLULU

Hawaiian Music In Japan From the 1920s to the 1940s

Authors

  • Shuhei Hosokawa

DOI:

https://doi.org/10.1558/prbt.v2i1.28801

Keywords:

Hawaiian music, musical tastes, musical diasporas

Abstract

This article analyses the influence of Hawaiian music in Japan from its introduction in the 1920s until the official suppression of the form during World War Two. It attempts to identify the ways in which styles of Hawaiian music were 'naturalised', ie adapted and integrated into an emergent Japanese vernacular, and the extent to which this 'naturalisation' was dependent on the role of Hawaiian born Japanese and thus Japan's 'privileged' access to Hawaiian music. It also frames its discussions within the context of Japan's 'Jazz Age' and the manner in which the cultural climate, of Tokyo at least, contributed to musical cross-fertilisation.

References

Coyle, J. & Coyle, R. (forthcoming) 'Aloha Australia', Peifect Beat v2n2.

Hayatsu, T. (1982) Buckie Shiralcata, Hawaiian Paradise, Tokyo: Sun Create.

--- (1983) Haida Yukihiko, Katsuhiko Suzukake no Michi (Yukihiko and Katsuhiko Haida, Path of Sycamore), Tokyo: Sun Create.

-----( 1986) Nihon Hawai'i Ongaku Buyoshi (History of Hawaiian Music and Donee in Japan), Tokyo: Sun Create

Hosokawa, S. (1991) 'Umi o Koeta Steel Guitar' {'Steel Guitar Crossing Over the Ocean'), Tubasa no Okoku (lnflight magazine of ANA) Sep.n267.

-----( 1994) 'EI tango en Jap6n antes 1945' in Tango n6mado, Ramon Pelinski ( ed), forthcoming

Kanahele, G. (1979) Hawaiian Music and Musicians. An Illustrated History, Honolulu: University Press of Hawai'i.

Ogren, K.J. (I 990) The Jazz Revolution: Twenties America and the Meaning of Jazz: Oxford: Oxford University Press.

Shaw, A. (1987) The Jazz Age: Popular Music in the 1920s, Oxford: Oxford University Press.

Yoshimi, T. (1992) Hakurankai no Seijigaku (Politics of Exposition), Tokyo: ChOO KOron

Published

2015-10-07

Issue

Section

Articles

How to Cite

Hosokawa, S. (2015). EAST OF HONOLULU: Hawaiian Music In Japan From the 1920s to the 1940s. Perfect Beat, 2(1), 51-67. https://doi.org/10.1558/prbt.v2i1.28801