THE 'DUNEDIN SOUND'
New Zealand Rock and Cultural Geography
DOI:
https://doi.org/10.1558/prbt.v2i1.28800Keywords:
music culture, music scenesAbstract
This article examines the rock music scene of Dunedin.
References
AndersQn, 1{1993) 'The Rise of the Alternative Music Scene in New Zealand', unpublished Macquarie University Mass Communication research paper
Anderson, K. and Gale, F. (eds.) ( 1992) Inventing Places: Studies in Cultural Geography, Melbourne: Longman Cheshire.
Breen, M. ( 1987) 'Introduction', in Breen, M. (ed.) Missing in Action: Australian Popular Music in Perspective, Melbourne: Verbal Graphics.
Burgess. J. and Gold, J. ( 1985) 'Place, The Media and Popular Culture' in Burgess, J. and Gold, J. (eds.) Geography, The Media and Popular Culture, London: Croom Helm.
Carney, G. (1990) 'Geography of Music: Inventory and Prospect', Journal of Cultural Geography, viO n2.
Danielson, S ( 1991) 'Push Have Pull'. Sydney Moming Herald August 15
Dix. J. ( 1988) Stranded in Paradise: Neu· Zealand Rock'n 'Rol/1955-1988, Wellington: Paradise Publications.
Downes, G. (1992) 'The Clean: Modal Conflict and Resolution', Music in New Zealand, Autumn.
Frith, S. (1986) 'Art versus technology: the strange case of popular music', Media, Culture and Society, v8 n3.
----- (1988a) 'The Real Thing- Bruce Springsteen', in Frith, S. (ed) Music for Pleasure, Cambridge: Polity Press.
----- (1988b) 'Why Do Songs Have Words?', in Frith, S. (ed) Music for Pleasure, Cambridge: Polity Press.
----- (1991) 'Anglo-America and its Discontents', Cultural Studies, v5 n3.
--·-- (1992) 'The Cultural Study of Popular Music', in Grossberg, L., Nelson, C. and Treichler, P.(eds.), Cultural Studies, New York: Routledge.
Giii, W. (1993) 'Region, agency, and popular music: the Northwest sound, 1958- 1966', The Canadian Geographer, v37 n2.
Gow, R. (1992) 'Stay where you are New Zealand', On the Street, 17 November.
Gregg, S. (1993) 'That old post-industrial dance', Metro, n 142, April.
Hayward, P. (1992) 'Music video, the Bicentenary (and after)', in Hayward, P. (ed.), From Pop to Punk to Postmodeniism, Sydney: Allen and Unwin.
Jackson, P. ( 1989) Maps of Meaning: An introduction to cultural geography, Unwin Hyman: London.
Jarvis, B. ( 1985) 'The Truth is Only Known by Guttersnipes'. in Burgess, J. and Gold, J. (eds.), Geography, The Media and Popular Culture, London: Croom Helm.
Laing, D. ( 1986) 'The music industry and the 'cultural imperialism' thesis', Media, Culture and Society, v8 n3.
Lomeli, K. (1984) 'The Geography of Folk and popular Music in the United States: An Annotated Bibliography', Current Musicology, Issue 37/38.
Massey, D. ( 1984) Spatial Divisions of Labour: Social Structures and the Geography of Production, London: Macmillan.
McKessar, P. {1988) 'Flying Nun Records', Music in New Zealand, Spring.
McLean. A. {1993) 'Giovepuppet: No Strings Attached', Dun - New Zealand Music Quarterly, Issue I, Autumn.
Mitchell, T. (1994) 'Flying in the Face of Fashion: Independent Music in New Zealand. Part One: Pakeha Sounds', in Hayward, P, Mitchell, T and Shuker, R (eds) North Meets South-Popular Music inAotearoa/New Zealand, Umina (NSW): Perfect Beat Publications
Moss, P. (1993) 'Where is the promised land?: class and gender in Bruce Springsteen's rock lyrics', Geografislw Annaler, v74B n3.
Nicol, L. (1993) 'Custom, culture and collaboration: the production of Yothu Yindi's Treaty videos', Perfect Beat.
Rutten, P. {1991) 'Local Popular Music on the national and International Markets', Cultural Studies, v5 n3.
Sadler, D. ( 1993) 'Playing to the music: consumer electronics, the music business and the video game', Paper presented to 'The Place of Music' conference, University College Lonoon, 13-14 September.
Scatena, D. (1993) 'Straitjacket Fits', Rolling Stone (Australia), July.
Shuker, R. (1993) 'Kiwi Rock: Popular Music, RadioQuotas,andCultural Identity in New Zealand', Paper presented to the first national conference of the Australian branch of the International Association for the Study of Popular Music, Sydney, Australia, 5-6 July.
Soja, E. (1989) Postmodern Geographies: The reassertion of space in critical social theory, London: Verso.
Straw, W. {l991) 'Systems of Articulation, Logics of Change: Communities and Scenes in Popular Music', Cultural Studies, v5 n3.
