AUSTRALIAN JAZZ IN POST-WAR EUROPE

A case study in musical displacement 1

Authors

  • Bruce Johnson

DOI:

https://doi.org/10.1558/prbt.v2i3.28778

Keywords:

jazz, Australian jazz, jazz in Europe, musical influences

Abstract

Bruce Johnson's study of the influence of Australian jazz on the development of popular music in Europe, provides important 'complications' to assumptions about the global diffusion of contemporary (music) culture.

References

Anonymous (trans. Jirasek) (1947) 'The Australian Orchestra in Prague', Mlada Fronta, 17/8/47

Anonymous (trans. Jirasek) (1947) 'Australian Jazz played farewell for them', Svobodne Slovo, 11112/47 (this is probably by Ugge).

Anonymous (trans. Jirasek) (1947) 'Jack V amey Married in Prague', Mlada Fronta, undated beyond year.

Anonymous (trans. Jirasek) 1947. 'I played together with Don Roberts', Jazz (Prague), 31/10/47 (this is probably by 'Johnny' Kraus).

Anonymous (trans. Jirasek) (1947) 'History of jazz in one concert', Mlada Fronta, 28/9/47 (this is probably by Ugge).

Anonymous (trans. Jirasek) (1947) review in Ohlas (Melnik, Bohemia), undated beyond year.

Anonymous (trans. Jirasek) (1947) review in Osvobozeny [sic] (Olomouc, Moravia), undated beyond year.

Ballou, M (1948) review in Down Beat, May 19/5/48.

Bell, G (1988) Graeme Bell, Australian Jazzman: His Autobiography, Frenchs Forest (N.S.W): Child & Associates.

-(1994) 'Czechoslovak Journey II', Quarterly Rag n70, January.

Bisset, A (1987) Black Roots White Flowers: A history of jazz in Australia, Sydney: ABC Enterprises (revised edition).

Bradley, D (1992) Understanding Rock'n'Roll: Popular Music in Britain 1955-1964, Buckingham (UK): Open University Press.

Clunies-Ross, B (1979) 'An Australian Sound: jazz in Melbourne and Adelaide 1941-51', in Spearitt, P and Walker, D (eds) Australian Popular Culture, Sydney: Allen & Unwin.

Godbolt, J (1984) A History of Jazz in Britain 1919-50, London: Quartet.

-(1976) All This and 10%, London: Hale.

Haese, R (1981) Rebels and Precursors: The Revolutionary Years of Australian Art, Ringwood, (Victoria): Allen Lane/Penguin.

Harris, H.M (1994) 'Mel Langdon: The Forgotten Man Behind the Band', Quarterly Rag n70, January.

Harris, R (1952). Jazz, Harmondsworth (UK): Penguin.

Hergenhan, L (ed.) (1988) The Penguin New Literary History of Australia, Ringwood (Victoria): Penguin.

Johnson,B (1981) 'Is There an Australian Jazz?' Parti,Jazz: The Australasian Contemporary Music Magazine, December.

-(1982) 'Is There an Australian Jazz?' Part II, in Jazz: The Australasian Contemporary Music Magazine, February.

-(1984) 'Graeme Bell at Seventy'; Jazz: The Australasian Contemporary Music Magazine, Winter/Spring.

-(1986) 'Bruce Johnson Comments', Jazz: The Australasian Contemporary Music Magazine, Summer/Autumn .

-( 1987) The Oxford Companion to Australian Jazz, Melbourne: Oxford University Press.

Lyttelton, H (1954) I Play As I Please: The Memoirs of an Old Etonian Trumpeter, London: MacGibbon & Kee.

Mitchell, J (1988) Australian Jazz on Record 1925-80, Canberra: Australian Government Printery.

Mitchell, T (1992) 'Mixing Pop and Politics: Rock and Pop in Czechoslovakia before and after the Velvet Revolution', Popular Music, vl1n2.

Neville, D (1948) review in Melody Maker & Rhythm, 22/5/48.

Skvorecky, J (1980) The Bass Saxophone, Toronto: Lester & Orpen Denny .

-(1988) Talkin' Moscow Blues, London: Faber & Faber.

Published

2015-10-06

How to Cite

Johnson, B. (2015). AUSTRALIAN JAZZ IN POST-WAR EUROPE: A case study in musical displacement 1. Perfect Beat, 2(3), 49–64. https://doi.org/10.1558/prbt.v2i3.28778

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Section

Articles