DOWN INTO THE FIRE
A Case Study of a Popular Music Recording Session
DOI:
https://doi.org/10.1558/prbt.v2i4.28769Keywords:
copyright, session musicians, recording activitiesAbstract
Fitzgerald's article examines the work of session musicians and arrangers in the recording of popular music. He considers issues of music copyright as one aspect of understanding and acknowledging the musical roles and activities which take place.
References
Barber, L (1995) 'Copyright?... Wrong', The Australian Weekend Review 18-19/3
Breen, M (1993) 'Making it visible: the 1990 public inquiry into Australian music copyrights', in Frith, S (ed) Music and Copyright, Edinburgh: Edinburgh University Press
Bourdieu, P (1993) The Field of Cultural Production (Johnson, R [ed]), Cambridge: Polity
Cohen, S (1991) Rock Music in Liverpool: Popular Music in the Making, Oxford: Oxford University Press
-(1993) 'Ethnography and popular music studies', Popular Music vl2 n2
Dr. Licks (1989) Standing in the Shadows of Motown: The Life and Music of Legendary Bassist James Jamerson, Wynnewood (USA): Dr. Licks Publishing
Faulkner, R (1983) Music on Demand: Composers and Careers in the Hollywood Film Industry, New Brunswick (USA): Transaction
Finnegan, R (1989) The Hidden Musicians: Music-Making in an English Town, Cambridge: Cambridge University Press
Fitzgerald, J (1995) 'Motown crossover hits 1963-1966 and the creative process', Popular Music vl4nl
Frith S, (1992) 'The cultural study of popular music', in Grossberg L (ed) Cultural Studies, New York: Routledge
Groce, S (1989) 'Occupational rhetoric and ideology: a comparison of copy and original musicians', Qualitative Sociology nl2
-(1992) 'The sociology of popular music: a selected and annotated bibliography of recent work', Popular Music and Society, vl6nl
Hennion, A (1990) 'The production of success: an anti-musicology of the pop song', in Frith S (ed) On Rock, Pop and the Written Word, New York: Pantheon
Jensen (1990) 'Technology/Music: Understanding Processual Relations', Popular Music and Society, vl4 nl
Kealy, E (1979) 'From craft to art: the case of sound mixers and popular music', Sociology of Work and Occupations v6
Muikku, J (1990) 'On the role and tasks of a record producer', Popular Music and Society, v14
Neuenfeldt, K ( 1988) 'I Was Making Music For Money Instead of Making Music For Me: An Ethnography of Solitary Musicians', Unpublished MA Thesis, Simon Fraser University
--(1993) 'On the road again: alienation and single musicians on the honky tonk circuit', in Lewis G. H. (ed) All That Glitters: Country Music in America, Bowling Green (USA): Bowling Green State University Press
Porcello, T (1991) 'The ethics of digital audio-sampling: engineers discourse', Popular Music nlO
Stith, H ( 1980) On Becoming a Rock Musician, Amherst (USA): University of Massachusetts Press