QUESTIONS OF MUSIC COPYRIGHT IN PAPUA NEW GUINEA
DOI:
https://doi.org/10.1558/prbt.v2i4.28772Keywords:
music copyrightAbstract
Niles' article outlines the lack of music copyright in Papua New Guinea, one of the countries still to become a signatory to international copyright conventions. As Niles outlines, the issue of music copyright in a small country such as PNG is complex; and its introduction is not necessarily beneficial to PNG's national music industry.
References
Avei, P. (1989) 'Copyright Law Issue Gets Mixed Reaction', Post-Courier, 13/1
'BB Kings Fan' (1984) '"Stolen" Song', Post-Courier, 28/12
Henry (1983) 'A Sour Note', Post-Courier, 23/9
Joku, H. (1983) 'Black Brothers Stole Our Yalikoe-Sanguma', Niugini Nius, 1113
Kange, A. (1985) 'Stevie Unique', Post-Courier, 813
Kombi, J. B. (1984) 'Painim nek bilong Wes Sepik', Wantok Niuspepa, 4/2
Niles, D. (1992) 'Traditional and Contemporary Concerns Relating to Copyright in Papua New Guinea', Phonographic Bulletin n61, November
Nonggorr, J. (1990) 'The Introduction of Copyright Law in Papua New Guinea', MeloMsian lAw Journal nl8
'Novorab Kid' (1984) 'Compose Your Own', Post-Courier, 8/6
Ruina, B. F. R. (1986) 'Kopiket na bagarapim musik', Wantok Niuspepa, 112
Siwi, P. (1990) 'Give PNG Music a Chance!' Niugini Nius, 2212
Tauwala, B. (1984) 'Copyright', in Krempl-Pereira, S. (ed.), The Urban Music Situation in Papua New Guinea from 1977 to 1984, Waigani: National Arts School
Toturi, K. (1985) 'Copycat Musos', Post-Courier, 8/6
Webb, M (1993) Lokal Musik: Lingua Franca Song and Identity in Papua New Guinea, Apwitihire n2 , Boroko (PNG): National Research Institute