ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC
DOI:
https://doi.org/10.1558/prbt.v3i3.28751Keywords:
musical exotica, cultural stereotypes, musical importsAbstract
Aline Scott-Maxwell provides a thorough account of 1920s musical exotica in Australia. Her.study centres on published sheet music and examines the cultural perceptions and stereotypes which informed a large and popular body of work during the period. Her article complements the associated rise in popularity of Hawaiian music analysed by Coyle, J and Coyle, R in v2n2.
References
Unattributed (1916) 'Hawaiian Music Universally Popular', The Edison Phonograph Monthly vl4n9, September
Awai, K ( 1920) The Superior Collection of Steel Guitar Solos v2, Sydney: J. Albert (c. San Francisco: Sherman Clay)
Beynon, G (1921) Musical Presentation of Motion Pictures, New York: G.Schirmer
Bisset, A ( 1979) Black Roots White F1owers: A History of Jazz in Australia, Sydney: Golden Press
Brache, W (1924) The Hawaiian Steel Guitar: Complete Instruction for Playing in the · Correct Hawaiian Manner, Melbourne: Allan & Co.
Brisbane, K (ed) (1991) Entertaining Australia: An Illustrated History, Sydney: Currency Press
Broinowski, A(1992) The Yellow Lady: Australian Impressions of Asia, Melbourne: Oxford University Press
Collins, D (1987) Hollywood Down Under: Australians at the Movies, 1896 to the Present Day, North Ryde (Australia): Angus & Robertson
Coyle, J & Coyle, R (1995) 'Aloha Australia: Hawaiian Music in Australia (1920-55)', Peifect Beat v2n2, January
Hall, H & Cripps, A(1996) The Romance of the Sydney Stage, Sydney: Currency Press
Hawley, S (1991) 'The Importance of Being Charley Chan', in Goldstein, J et al (eds) American Images of China Then and Now, London: Associated University Presses
Hodson, J (1995) Lawrence of Arabia and American Culture: the Making of a Transatlantic Legend, Westport (USA): Greenwood Press
Hull, E (1919, rl996) The Sheik, London: Vrrago
Jasen, D (1990) Tin Pan Alley: the Composers, the Songs, the Performers and their Times, London: Omnibus Press
Lang, E & West, G ( 1920) Musical Accompaniment of Moving Pictures: A Practical Manual for Pianists and Organists and an Exposition of the Principles Underlying the Musical Interpretation of Moving Pictures, New York: The Boston Music Company
Lears, T and Jackson, J ( 1981) No Place of Grace: Antimodemism and the Transformation of American Culture 1880-1920, New York: Pantheon
Little, J ( 1994) 'Sources of 19th-Century Musical Orientalism or, From 'Oriental' Inspiration to exotic Orchestration: the Extra-Musical Stimuli behind Composers' Attempts to Achieve 'exotic' Programmatic Effects in Orchestral Music, ca.1840-1920' (unpublished PhD thesis, Monash University, Melbourne)
Love, H (1985) 'Chinese Theatre on the Victorian Goldfields, 1858-1870', Australasian Drama Studies v3n2
Gehling, R (1980) 'The Yellow Menace: Asian Images in American Film', in Miller, R (ed) The Kaleidoscopic Lens: How Hollywood news Ethnic Groups, U.S.A: Jerome S. Ozer
Pask, E (1979) Enter the Colonies Dancing: a History of Dance in Australia 1835-1940, Melbourne: Oxford University Press
Rapee, E (1925) Encyclopedia of Music for Pictures, New York: Belwin
Rees, L (1973) A History of Australian Drama, vi: the Making of Australian Drama from the 1830s to the Late 1960s, Sydney: Angus & Robertson
Said, E (1978) Orienta/ism: Western Conceptions of the Orient, London: Penguin
Samuel, R (1913) 'Music for the Pictures', The Photoplay v18nl
Shirley, G (1983) Australian Cinema: the First Eighty Years, Sydney: Angus & Robertson/Currency Press
Shaw, A (1987) The Jazz Age: Popular Music in the 1920s, New York: Oxford University Press
Sissons, D (1995) 'Japanese Performers', in Parsons, P (ed) Companion to Theatre in Australia, Sydney: Currency Press
Snell, K (1991) Australian Popular Music: Composer Index (2nd ed), Bentleigh (Australia): Quick Trick Press
Stillman, A (1987) 'Published Hawaiian Songbooks', MLA Notes n44, December
Tait, V (1971) A Family of Brothers: the Taits and J.C.Williamson, a Theatre History, Melbourne: Heinemann
Thomson, J (1980) A Distant Music: the Life and Times of Alfred Hill, 1870--1960, Melbourne: Oxford University Press
Waller, C (1980) Magical Nights at the Theatre: a Chronicle, Melbourne: Gerald Taylor
Waterhouse, R (1990) From Minstrel Show to Vaudeville: the Australian Popular Stage 1788--1914, Sydney: New South Wales University Press
Whiteoak, J (1993) 'Australian Approaches to Improvisatory Musical Practice, 1836-1970: a Melbourne Perspective' (unpublished PhD thesis, LaTrobe University, Melbourne)
--(1995) 'Hawaiian Music and Jazzing', Perfect Beat v2n3, July
Williams, M (1983) Australia on the Popular Stage, 1829-1929: An Historical Entertainment in Six Acts, Melbourne: Oxford University Press