Oriental Exoticism in 1920s Australian Popular Music

Authors

  • Ian Maxwell University of Sydney

DOI:

https://doi.org/10.1558/prbt.v3i3.28751

Keywords:

musical exotica, cultural stereotypes, musical imports

Abstract

Aline Scott-Maxwell provides a thorough account of 1920s musical exotica in Australia. Her.study centres on published sheet music and examines the cultural perceptions and stereotypes which informed a large and popular body of work during the period. Her article complements the associated rise in popularity of Hawaiian music analysed by Coyle, J and Coyle, R in v2n2.

Author Biography

  • Ian Maxwell, University of Sydney

    Ian Maxwell is a lecturer at the Centre for Performance Studies, University of Sydney. He has recently completed his PhD thesis 'Phat Beats, Dope Rhymes: Hip Hop Down Under Comin' Up'. 

References

Unattributed (1916) 'Hawaiian Music Universally Popular', The Edison Phonograph Monthly v14n9, September

Awai, K (1920) The Superior Collection of Steel Guitar Solos v2, Sydney: J. Albert (c. San Francisco: Sherman Clay)

Beynon, G (1921) Musical Presentation of Motion Pictures, New York: G. Schirmer

Bisset, A (1979) Black Roots White Flowers: A History of Jazz in Australia, Sydney: Golden Press

Brache, W (1924) The Hawaiian Steel Guitar: Complete Instruction for Playing in the Correct Hawaiian Manner, Melbourne: Allan & Co.

Brisbane, K (ed) (1991) Entertaining Australia: An Illustrated History, Sydney: Currency Press

Broinowski, A (1992) The Yellow Lady: Australian Impressions of Asia, Melbourne: Oxford University Press

Collins, D (1987) Hollywood Down Under: Australians at the Movies, 1896 to the Present Day, North Ryde (Australia): Angus & Robertson

Coyle, J & Coyle, R (1995) 'Aloha Australia: Hawaiian Music in Australia (1920-55)', Perfect Beat v2n2, January

Hall, H & Cripps, A (1996) The Romance of the Sydney Stage, Sydney: Currency Press

Hawley, S (1991) 'The Importance of Being Charley Chan', in Goldstein, J et al (eds) American Images of China Then and Now, London: Associated University Presses

Hodson, J (1995) Lawrence of Arabia and American Culture: the Making of a Transatlantic Legend, Westport (USA): Greenwood Press

Hull, E (1919, rl996) The Sheik, London: Virago

Jasen, D (1990) Tin Pan Alley: the Composers, the Songs, the Performers and their Times, London: Omnibus Press

Lang, E & West, G (1920) Musical Accompaniment of Moving Pictures: A Practical Manual for Pianists and Organists and an Exposition of the Principles Underlying the Musical Interpretation of Moving Pictures, New York: The Boston Music Company

Lears, T and Jackson, J (1981) No Place of Grace: Antimodemism and the Transformation of American Culture 1880-1920, New York: Pantheon

Little, J (1994) 'Sources of 19th-Century Musical Orientalism or, From 'Oriental' Inspiration to exotic Orchestration: the Extra-Musical Stimuli behind Composers' Attempts to Achieve 'exotic' Programmatic Effects in Orchestral Music, ca.1840-1920' (unpublished PhD thesis, Monash University, Melbourne)

Love, H (1985) 'Chinese Theatre on the Victorian Goldfields, 1858-1870', Australasian Drama Studies v3n2

Gehling, R (1980) 'The Yellow Menace: Asian Images in American Film', in Miller, R (ed) The Kaleidoscopic Lens: How Hollywood news Ethnic Groups, U.S.A: Jerome S. Ozer

Pask, E (1979) Enter the Colonies Dancing: a History of Dance in Australia 1835-1940, Melbourne: Oxford University Press

Rapee, E (1925) Encyclopedia of Music for Pictures, New York: Belwin

Rees, L (1973) A History of Australian Drama, v1: the Making of Australian Drama from the 1830s to the Late 1960s, Sydney: Angus & Robertson

Said, E (1978) Orientalism: Western Conceptions of the Orient, London: Penguin

Samuel, R (1913) 'Music for the Pictures', The Photoplay v18n1

Shirley, G (1983) Australian Cinema: the First Eighty Years, Sydney: Angus & Robertson/Currency Press

Shaw, A (1987) The Jazz Age: Popular Music in the 1920s, New York: Oxford University Press

Sissons, D (1995) 'Japanese Performers', in Parsons, P (ed) Companion to Theatre in Australia, Sydney: Currency Press

Snell, K (1991) Australian Popular Music: Composer Index (2nd ed), Bentleigh (Australia): Quick Trick Press

Stillman, A (1987) 'Published Hawaiian Songbooks', MLA Notes n44, December

Tait, V (1971) A Family of Brothers: the Taits and J.C. Williamson, a Theatre History, Melbourne: Heinemann

Thomson, J (1980) A Distant Music: the Life and Times of Alfred Hill, 1870-1960, Melbourne: Oxford University Press

Waller, C (1980) Magical Nights at the Theatre: a Chronicle, Melbourne: Gerald Taylor

Waterhouse, R (1990) From Minstrel Show to Vaudeville: the Australian Popular Stage 1788-1914, Sydney: New South Wales University Press

Whiteoak, J (1993) 'Australian Approaches to Improvisatory Musical Practice, 1836-1970: a Melbourne Perspective' (unpublished PhD thesis, La Trobe University, Melbourne)

--(1995) 'Hawaiian Music and Jazzing', Perfect Beat v2n3, July

Williams, M (1983) Australia on the Popular Stage, 1829-1929: An Historical Entertainment in Six Acts, Melbourne: Oxford University Press

REFERENCED SONG SHEETS

Arabia Land, by Haskell, J (w) & MacCunn, A (m), Sydney: J Albert, 1920

Arabian Moon, by Harrison, C & Weaver, F, New York: Stasny, 1922

Bundaberg, by Walker, G, Melbourne: Allan, 1927

Caravan, by McCarthy, G (w) & Williams, G (m), Melbourne: E.W. Cole (c. London: L. Wright, 1922)

Chimes of Wailcilci, by Wendling, P (c. J. Davis, 1924), in Hawaiian Folio: Ten Beautiful Original Hawaiian Waltzes, Melbourne: L.F. Collin

China Girl, by Halstead, H, Warner, D & Singer, L, Sydney: J. Albert (c. San Francisco: Sherman, Clay & Co., 1924)

China Moon, by Everett, D (w) & Thornton, F (m), Melbourne: Collin (New York: C. Fischer, 1920)

Chinese Moon, by Bronfin, B (w) & Nussbaum, J (m), (c. Cleveland: Sam Fox, 1926)

Chong, He Come from Hong Kong, by Weeks, H (c. New York: L. Feist, 1919)

Cootamundra, by Johnston, R, Sydney: W.H. Paling, 1923

Dardanella, by Bernard, F & Black, J, Sydney: Albert (c. London: Francis, Day & Hunter 1919)

Down in Chinatown, by Meyer, J & Hulten, G (c. New York: L. Feist, 1920)

Dreamy Honolulu, by Johnston, R & Edwards, B, Melbourne: Allan, 1922

Hawaiian Butterfly, by Little, G (w) & Baskette, B/Santly, J (m), Sydney: Albert (c. New York, Leo Feist, 1917)

Hawaiian Lullaby, by Terriss, D (w) & Bridges, E (m), Melbourne: Allan (c. New York: L. Feist, 1919)

Honolulu Moon, by Lawrence, F, Melbourne: Allan (c. New York: L. Feist, 1926)

I'd Like to Steal Away to Hawaii and You, by Walker, G, Melbourne: Allan, 1929

In Dreamy Araby, by O'Hagan, J (arr. Guttridge, M), Melbourne: Allan, 1921

The Japanese Sandman, by Egan, R (w) & Whiting, R (m) (c. New York: J. Remick, 1920)

Kismet, by Diero, G (w) & Henlere, H (m), Sydney: J. Albert (c. Chicago: Will Rossiter, 1920)

Little Chink, by Merryman, M (c. T. Presser, [nd] 1926)

Moonlight on the Ganges, by Wallace, C (w) & Myers, S (m), Sydney: Chappell (c. C. Lennox, 1926)

The Murray Moon, by Stoneham, R & De Garis, C, Sydney: Chappell, 1922

My Chinee Girl, by Courtney, V, Sydney: W.J. Deane, 1917

My Rose of Mandalay, by Klickmann, F (m) & Frost, H (w), Sydney: J Albert (c. Chicago: McKinley, 1919)

Rio Nights, by Vincent, E & Thompson, F, Melboume: E.W. Cole (c. New York: F. Thompson, 1920)

Rose of Honolulu, by Armstrong, T, Sydney: J Albert, 1910

Sad Hawaiian Sea, by Roberts, L, Sydney: J. Albert (c. Chicago: Forster, 1923)

The Sheik of Araby, by Smith, H/Wheeler, B (w) & Snyder, T (m), Sydney: J. Albert (c. Waterson, Berlin & Snyder, 1921)

Sleepy Seas, by Stoneham, R, Sydney: Chappell, 1921

Sweet Hawaiian Isle, by Green, W & Edwards, B, Melbourne: Allan, 1923

Sweet Hawaiian Moonlight, by Frost, H (w) & Klickmann, F (m), Sydney: Albert (c. F.K. Root, 1918)

Sweet Hawaiian Sands, by O'Hagan, J, Melbourne: Allan, 1926

There's a Girl in Maoriland, by Lawrance, A. Sydney: J Albert, 1921

Waikiki Moon, by Stoneham, R, Sydney: Chappell, c 1924

Wodonga, by Lumsdaine, J, Sydney: J Albert, 1923

OTHER REFERENCED SHEET MUSIC

Bombardment of Port Arthur: A Grand Naval Fantasia for Piano, by Bulch, T, Melbourne: Suttons, n.d.

Chanson Indoue, by Rimsky-Korsakov, N, Paris: M.P. Belaieff, 1914

Five Little Japanese Songs, by Woodforde-Finden, A, London: Boosey, 1906

Five Tone Poems, by Hall, F, Melbourne: Allan, n.d.

Four Indian Love Lyrics, by Woodforde-Finden, A. London: Boosey, 1902

In a Persian Market, by Ketelbey, A. London: Bosworth, 1920

Japanese Fan Dance, by Bonheur, T, London: W. Paxton (Melbourne: E.W. Cole, n.d.)

Oriental Shadows, in Filmelodies: Photo Play Music, by Ewing, M, London: Elkin, 1927

An Oriental Suite for Piano, by Thurban, T, Melbourne: Allan (c. York: Banks, 1924)

Samoan's Dance, in In Southern Seas: Nine Miniatures for Pianoforte, by Carroll, W, London: Forsyth, 1922

Songs of Egypt: a Cycle of Six Songs, by Bantock, G, Leipzig: Breitkopf & Hartel, 1898

Waiata Poi: A Maori Poi Song, by Hill, A. London: Chappell, 1908

Published

2015-10-06

Issue

Section

Articles

How to Cite

Maxwell, I. (2015). Oriental Exoticism in 1920s Australian Popular Music. Perfect Beat, 3(3), 28-54. https://doi.org/10.1558/prbt.v3i3.28751