GORE GOLD GUITARS
The Place of Country in New Zealand
DOI:
https://doi.org/10.1558/prbt.v8i3.28700Keywords:
country musicAbstract
Utilising an ethnographic approach, the authors explore the place and location of contemporary country music in the town of Gore in the south of the South Island.
References
Anderson, B (1991 [1983]) Imagined Communities: Reflections on the Origin and Spread of Nationalism, London: Verso
Baser, D (2007) ‘Long night hearing about past’, The Otago Daily Times, 26 March
Carney, G (1998) ‘Music Geography’, Journal of Cultural Geography v18
Clifford, J (1997) Routes: Travel and Translation in the late Twentieth Century, Cambridge: Harvard University Press
Cohen, S (1994) ‘Identity, Place and the “Liverpool Sound”’, in Stokes, M (ed), Ethnicity, Identity and Music, Oxford: Berg
Connell, J and Gibson, C (2003) Sound Tracks: Popular Music, Identity and Place, London: Routledge
Connolly, W (2002) Identity, Difference: Democratic Negotiations of Political Paradox, Minneapolis: University of Minnesota Press
Eisentraut, J (2001) ‘Samba in Wales: Making Sense of Adopted Music’, British Journal of Ethnomusicology v10n1
Evans, M and Walden, G (eds) (2005) Markets and Margins: Australian Country Music. Volume 3, Gympie: Australian Institute of Country Music Press
Frith, S (2001) ‘The Popular Music Industry’ in Frith S, Straw W and Street J (eds) The Cambridge Companion to Rock and Pop, Cambridge: Cambridge University Press
–––– (1996) ‘Music and Identity’, in Hall, S and du Gay, P (eds) Questions of Cultural Identity, London: Sage
Geertz, C (1975) The interpretation of Cultures: Selected Essays, London: Hutchinson
Giddens, A(1990) The Consequences of Modernity, Cambridge: Polity Press
Hayward, P (2003) Outback and Urban: Australian Country Music Volume 1, Gympie: Australia Institute of Country Music Press
Hayward, Pand Walden, G (2004) (eds) Roots and Crossovers: Australian Country Music Volume 2, Gympie: Australia Institute of Country Music Press
Hobsbawm, E and Ranger, T (eds) (1983) The Invention of Tradition, Cambridge: Cambridge University Press
Howes, D (1991) The Varieties of Sensory Experience: A Sourcebook in the Anthropology of the Senses, Toronto: University of Toronto Press
Kong, L(1995) ‘Popular Music in Geographical Analysis’, Progress in Human Geography v19n2
Leyshon, A, Matless, G and Revill, G (1998) The Place of Music, New York: Guilford Press
Murphy, L and Le Heron, R (1999) ‘Encountering Places, Peoples and Environments: Introducing Human Geography’, in Le Heron, R, Murphy, L and Goldstone, M (eds) Explorations in Human Geography: Encountering Place, Auckland: Oxford University Press
Nash, P and Carney, G (1996) ‘The Seven Themes of Music Geography’, The Canadian Geographer v40n1
Peterson, R (1999) Creating Country Music: Fabricating Authenticity, Chicago: University of Chicago Press
Pocock, D (1989) ‘Sound and the Geographer’, Geography v74
Shuker, R and Pickering, M (1994) ‘Kiwi Rock: popular music and cultural identity in New Zealand’, Popular Music v13n3
Slobin, M (1993) Subcultural Sounds: Micromusics of the West, Hanover: Wesleyan University Press
Small, C (1998) Musicking: The Meanings of Performing and Listening, Hanover: University Press of New England
Smith, G (2005) Singing Australian: A History of Folk & Country Music, Melbourne: Pluto Press
–––– (1994) ‘Australian Country Music and the Hillbilly Yodel’, Popular Music v13n1
Smith, G and Brett, J (1998) ‘Nation and Authenticity in Australian Popular Music: Folk, Country, Multicultural’, Journal of Australian Studies v58
Smith, S (1997) ‘Beyond Geography’s Visible Worlds: A Cultural Politics of Music’, Progress in Human Geography v21n4
The Southland Times (2006) ‘The 33rd Annual NZ Gold Guitar Awards 2006’, 24 May
The Southland Times (2003) ‘Gore’s Golden Hour’, 3 June
Stock, J (2002) ‘Place and Music: Institutions and Cosmopolitanism in “Shenqu”, Shanghai Traditional Local Opera’, Music and Letters v83n4
Stokes, M (1994) ‘Introduction: Ethnicity, Identity and Music’, in Stokes, M (ed) Ethnicity, Identity and Music: The Musical Construction of Place, Oxford: Berg