SOUNDS LIKE US
Popular Music and Cultural Nationalism in Aotearoa/New Zealand
DOI:
https://doi.org/10.1558/prbt.v8i3.28697Keywords:
cultural nationalism, cultural policyAbstract
In the opening paper, Zuberi explores the intervention of New Zealand's cultural policy on popular music in influencing cultural nationalism.
References
Appadurai, A (1997) Modernity at Large: Cultural Dimensions of Globalization, Minneapolis: University of Minnesota Press
Bannister, M (2006) White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock, Aldershot: Ashgate Press
Dix, J (2005) Stranded in Paradise: New Zealand Rock and Roll, 1955 to the Modern Era, Auckland: Penguin Books
Eggleton, D (2003) Ready To Fly: The Story of New Zealand Rock Music, Nelson: Craig Potton Publishing
Foucault, M (1991) ‘Governmentality’in Burchell, G, Gordon, C and Miller, P (eds) The Foucault Effect: Studies in Governmentality, London: Harvester Wheatsheaf
Henderson, A (2006) ‘Dancing Between Islands: Hip Hop and the Samoan Diaspora’, in Basu, D and Lemelle, S (eds) The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, London and Ann Arbor: Pluto Books
Kelly, E (2002) Making a Scene: Location, Identity and Dance Music (Unpublished MA thesis: University of Auckland)
Kun, J (2005) Audiotopia: Music, Race and America, Berkeley: University of California Press
Langabeer, C (2002) Carefully Stealing Pieces of Me: Issues of Technology and Authenticity in the Music of Matthew Herbert (Unpublished MA thesis: University of Auckland)
Mitchell, T (1996) Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania, London and New York: Leicester University Press
–––– (2001) ‘Another Root: Hip-Hop Outside the USA’, in Mitchell, T(ed) Global Noise: Rap and Hip-Hop Outside the USA, Middletown: Wesleyan University Press
Pritchett, S (2002) Living to Perform, Playing for Passion: A “Girls”’ Guide to Rock (Unpublished MAthesis: University of Auckland)
Scott, M (2007) ‘The Networked State: New Zealand On Air and New Zealand’s Pop Renaissance’, Popular Music (forthcoming)
Shuker, R (2005) ‘New Zealand Popular Music and Cultural Identity’, British Review of New Zealand Studies v14
Turner, S (2007) ‘“Inclusive Exclusion”: Managing Identity for the Nation’s Sake in Aotearoa/New Zealand’(Unpublished paper)
Yúdice, G (2003) The Expediency of Culture: Uses of Culture in the Global Era, Durham: Duke University Press