Frederick Moehn. 2012. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Duke University Press. ISBN 978-0-8223-5155-9 (pbk). 320pp. $24.95.
DOI:
https://doi.org/10.1558/prbt.v14i1.81Keywords:
Brazilian popular music, Rio de Janeiro and music, music and technologyReferences
Dunn, C. 2001. Brutality Garden: Tropicalia and the Emergence of a Brazilian Counterculture. Chapel Hill, NC: University of North Carolina Press.
McCann, B. 2004. Hello, Hello Brazil: Popular Music in the Making of Brazil. Durham, NC: Duke University Press.
Perrone, C., and C. Dunn. 2001. Brazilian Popular Music and Globalization. Gainesville, FL: University Press of Florida.
McCann, B. 2004. Hello, Hello Brazil: Popular Music in the Making of Brazil. Durham, NC: Duke University Press.
Perrone, C., and C. Dunn. 2001. Brazilian Popular Music and Globalization. Gainesville, FL: University Press of Florida.
Published
2013-10-18
Issue
Section
Reviews
How to Cite
Galm, E. (2013). Frederick Moehn. 2012. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Duke University Press. ISBN 978-0-8223-5155-9 (pbk). 320pp. $24.95. Perfect Beat, 14(1), 81-83. https://doi.org/10.1558/prbt.v14i1.81