Scannell, John. 2012. 'James Brown'. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp

Authors

  • Anne Danielsen University of Oslo

DOI:

https://doi.org/10.1558/prbt.v15i2.26639

Keywords:

African-American music, James Brown, Funk music, Gilles Deleuze

Author Biography

Anne Danielsen, University of Oslo

Anne Danielsen is Professor in the Department of Musicology at the University of Oslo.

References

Brackett, D. 1995. ‘James Brown’s “Superbad” and the Double-Voiced Utterance’. In Brackett, Interpreting Popular Music, 108–56. Cambridge: Cambridge University Press.

Danielsen, A. 2006. Presence and Pleasure: The Funk Grooves of James Brown and Parliament. Middletown, CT: Wesleyan.

Deleuze, G. 1986. Cinema: The Movement-Image, trans. Hugh Tomlinson and Barbera Habberjam. Minneapolis: University of Minnesota Press.

—1989. Cinema: The Time-Image, trans. Hugh Tomlinson and Robert Galeta. Minneapolis: University of Minnesota Press.

—1994. Difference and Repetition, trans. Paul Patton. New York: Colombia University Press.

Stewart, A. 2000. ‘“Funky Drummer”: New Orleans, James Brown and the Rhythmic Transformation of American Popular Music’. Popular Music 19: 293–318. http://dx.doi.org/10.1017/S0261143000000180

Wilson, O. 1974. ‘The Significance of the Relationship between Afro-American Music and West African Music’. The Black Perspective in Music 2/1: 3–22. http://dx.doi.org/10.2307/1214144

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Published

2015-09-07

How to Cite

Danielsen, A. (2015). Scannell, John. 2012. ’James Brown’. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp. Perfect Beat, 15(2), 177–179. https://doi.org/10.1558/prbt.v15i2.26639

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Reviews