Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp.

Authors

  • Jared Mackley-Crump Auckland University of Technology

DOI:

https://doi.org/10.1558/prbt.33584

Keywords:

diaspora, ethnomusicology, Filipino-America, Philippines, popular music, scene theory

Author Biography

  • Jared Mackley-Crump, Auckland University of Technology

    Jared Mackley-Crump is currently a lecturer at the School of Hospitality and Tourism at Auckland University of Technology, New Zealand, where he teaches in the event studies programme. His main area of research to date has been music in Oceania, specializing in the diasporic Pacific festivals of New Zealand. His other areas of interest include popular music and sexuality, the development of commercial popular music festivals in New Zealand, and the festivalization of food.

References

Titon, Jeff Todd. 2015. ‘Ethnomusicology as the Study of People Making Music’. Musicological Annual 51/2: 175–85. https://doi.org/10.4312/mz.51.2.175-185

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Published

2017-10-03

Issue

Vol. 18 No. 2

Section

Reviews

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Mackley-Crump, J. (2017). Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. Perfect Beat, 18(2), 175-177. https://doi.org/10.1558/prbt.33584