Vol. 7 No. 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity

Guest Editors: Kyung Hyun Kim and CedarBough Saeji

Published: 2021-02-04

Introduction to Special Issue

Introduction A Short History of Afro-Korean Music and Identity

Kyung Hyun Kim, CedarBough T. Saeji

115–124
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Articles

Shadow Representations 8-Milin’ Identity and De-Blacking Rap Music in South Korea

Robert Hamilton

125–144
- Requires Subscription or Fee PDF (GBP 23)
Rhyming Techniques and Identity in Korean Hip Hop

Jinny Park

145–167
- Requires Subscription or Fee PDF (GBP 23)
Korean Hip Hoppers’ Identity Negotiation in Non-performative Spoken Discourse

Jae-hyun Im

168–189
- Requires Subscription or Fee PDF (GBP 23)
Industrial Hip Hop against the Hip Hop Industry The Critical Noise of XXX

Pil Ho Kim, Wonseok Lee

190–208
- Requires Subscription or Fee PDF (GBP 23)
Regional Hip Hop and the Seoul Metropole A Case Study of Underground Hip Hop in Gwangju

Amos Farooqi

209–227
- Requires Subscription or Fee PDF (GBP 23)
A Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers

Iljung Kim

228–249
- Requires Subscription or Fee PDF (GBP 23)

Reviews

Myoung-Sun Song. 2019. Hanguk Hip Hop, Global Rap in South Korea.

Hyun Joo Sandy Oh

250–253
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Fernando Orejuela and Stephanie Shonekan, eds. 2018. Black Lives Matter and Music: Protest, Intervention, Reflection.

Kwami Coleman

254–259
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David F. Garcia. 2017. Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins.

Jason Buchea

260–263
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Shane Greene. 2016. Punk and Revolution: Seven More Interpretations of Peruvian Reality.

Emily Margot Gale

264–267
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Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries.

Arnar Eggert Thoroddsen

268–270
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