Introduction

A Short History of Afro-Korean Music and Identity

Authors

  • Kyung Hyun Kim University of California
  • CedarBough T. Saeji Indiana University

DOI:

https://doi.org/10.1558/jwpm.42669

Keywords:

Editorial

Abstract

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Author Biographies

  • Kyung Hyun Kim, University of California

    Kyung Hyun Kim currently serves as a professor in the Department of East Asian Studies and Visual Studies, UC Irvine. He is a novelist, a scholar and a film producer. Prof. Kim is author of The Remasculinization of Korean Cinema (2004), Virtual Hallyu: Korean Cinema of the Global Era (2011), Hegemonic Mimicry: Korean Popular Culture of the 21st Century (2021), all published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-rul chajaso, 2014).

  • CedarBough T. Saeji, Indiana University

    CedarBough T. Saeji, currently a Visiting Assistant Professor at Indiana University, is a scholar of Korean performance who approaches issues from gender to cultural policy through examining everything from traditional mask dance dramas to the latest K-pop hits.

References

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Cheng, Sealing. 2010. On the Move for Love: Migrant Entertainers and the U.S. Military in South Korea. Philadelphia: University of Pennsylvania Press. https://doi.org/10.9783/9780812206920

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Constante, Agnes. 2017. "25 Years After LA Riots, Koreatown Finds Strength in 'Saigu' Legacy". NBC News, 25 April. https://www.nbcnews.com/news/asian-america/25-years-after-la-riots-koreatown-finds-strength-saigu-legacy-n749081.

Em, Henry. 2013. The Great Enterprise: Sovereignty and Historiography in Modern Korea. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822395928

Freeland, Jim and Jim Lea. 1971. "GIT: Key to Racial Equality". Pacific Stars and Stripes, 16 July 1971, https://starsandstripes.newspaperarchive.com/pacific-stars-and-stripes/1971-07-16/page-24 (User ID required for access).

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Maliangkay, Roald. 2006. "Supporting Our Boys: American Military Entertainment and Korean Pop Music in the 1950s and Early 1960s". In Korean Pop Music: Riding the Wave, edited by Keith Howard, 21-33. Kent: Global Oriental.

-- 2011. "Koreans Performing for Foreign Troops: The Occidentalism of the C.M.C. and K.P.K.". East Asian History 37: 59-72.

-- 2014. "The Popularity of Individualism: The Seo Taiji Phenomenon in the 1990s". In The Korean Popular Culture Reader, edited by Kyung Hyun Kim and Youngmin Choe, 296-313. Durham, NC: Duke University Press.

Park, Jeongmi. 2019. "Liberation or Purification? Prostitution, Women's Movement, and Nation Building in South Korea under US Military Occupation, 1945-1948". Sexualities 22/7-8: 1053-70. https://doi.org/10.1177/1363460718782968

Shin, Hyunjoon and Pilho Kim. 2014. "Birth, Death, and Resurrection of Group Sound Rock". In The Korean Popular Culture Reader, edited by Hyun-kyung Kim and Youngmin Choe, 275-95. Durham, NC: Duke University Press. https://doi.org/10.1215/9780822377566-017

Yi, Yong-u. 2005. "Miguk keurop seo hunryeon bateun daejung eumak" ["Popular Music Trained in American Military Clubs"]. Hankyoreh, 6 July 2005, http://www.hani.co.kr/arti/culture/culture_general/47952.html.

Yoon, In-jin. 2007. On My Own: Korean Businesses and Race Relations in America. Chicago: University of Chicago Press.

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Published

2021-02-15

How to Cite

Kim, K. H., & Saeji, C. T. (2021). Introduction: A Short History of Afro-Korean Music and Identity. Journal of World Popular Music, 7(2), 115–124. https://doi.org/10.1558/jwpm.42669