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  1. Home /
  2. Archives /
  3. Vol. 6 No. 1 (2019)

Vol. 6 No. 1 (2019)

Published: 2019-06-18

Editorial

  • Editors’ Introduction

    Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett
    5-9
    • PDF

Articles

  • Popular Song Afterlives Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics

    Samuel Horlor
    10-31
    • Requires Subscription or Fee PDF (GBP 23)
  • Sounding Dublin Mapping Popular Music Experience in the City

    John O'Flynn, Áine Mangaoang
    32-61
    • Requires Subscription or Fee PDF (GBP 23)
  • From Worldbeat to Localbeat Towards a Theory of the Transformation of Music from the Borrowed to the Local

    Wonderful Godwin Bere
    62-84
    • Requires Subscription or Fee PDF (GBP 23)
  • Rehearsing the 'Éthnik-Jazz Aesthetic' Insights from Practices with Athenian Musicians

    Ioannis Tsioulakis
    85-102
    • Requires Subscription or Fee PDF (GBP 23)

Reviews

  • Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. 'Made in Brazil: Studies in Popular Music'

    Vincenzo Perna
    103-107
    • PDF
  • Barbara Browning. 'A Foreign Sound'

    Andrew Snyder
    108-110
    • PDF
  • Christina Sunardi. 'Stunning Males and Powerful Females: Gender and Tradition in East Javanese Dance'

    Dane L. Harwood
    111-115
    • PDF
  • Peter Gough. 'Sounds of the New Deal: The Federal Music Project in the West'

    Daniel Margolies
    116-120
    • PDF
  • Christopher Partridge. 'Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk'

    Lewis Tennant
    121-123
    • PDF

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