Christopher Partridge. 'Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk'

Authors

  • Lewis Tennant Auckland University of Technology

DOI:

https://doi.org/10.1558/jwpm.32925

Keywords:

dub music, rastafarianism, United Kingdom, Jamaica, reggae

Abstract

Christopher Partridge. 2010. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk.London: Equinox. 319pp. ISBN 978-1-84553-312-0 (pbk).

Author Biography

  • Lewis Tennant, Auckland University of Technology
    Lewis Tennant, Auckland University of Technology, New Zealand.

References

Beckford, R. 2006. Jesus Dub: Theology, Music and Social Change. London: Taylor & Francis.

Veal, M. E. 2007. Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Middletown, CT: Wesleyan University Press. https://doi.org/10.1017/s1752196308081157

Downloads

Published

2019-06-18

Issue

Vol. 6 No. 1 (2019)

Section

Reviews

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Tennant, L. (2019). Christopher Partridge. ’Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk’. Journal of World Popular Music, 6(1), 121-123. https://doi.org/10.1558/jwpm.32925