Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. 'Made in Brazil: Studies in Popular Music'

Authors

  • Vincenzo Perna Independent scholar

DOI:

https://doi.org/10.1558/jwpm.28450

Keywords:

Brazil, popular music studies, social history, musicology, mass

Abstract

Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. 2015. Made in Brazil: Studies in Popular Music. New York and London: Routledge. 249pp. ISBN 978-0-41562-560-9 (hbk).

Author Biography

  • Vincenzo Perna, Independent scholar

    Vincenzo Perna, independent scholar, Torino, Italy.

References

Andrade, Oswald de, 2007 [1928], “Cannibalist Manifesto”, in Art and Social Change: a Critical Reader, Charles Esche and Will Bradley, 94-98, Tate/Afterall, London.

Dunn, Christopher and Perrone, Charles eds, 2001, Brazilian Popular Music and Globalization. Routledge, London.

Herzman, Marc A., 2013, Making Samba: A New History of Race and Music in Brazil. Duke University Press, Durham.

Jauregui, Carlos, A. 2012, “Antropofagia.” Dictionary of Latin American Cultural Studies. R. McKee Irwin and M. Szurmuk eds. University Press of Florida, Gainesville, 22-28.

Moehn, Frederick , 2012, Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Duke University Press, Durham.

Vianna, Hermano, 1998, The Mistery of Samba. University of North Carolina Press, Chapel Hill.

Downloads

Published

2019-06-18

Issue

Vol. 6 No. 1 (2019)

Section

Reviews

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Perna, V. (2019). Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. ’Made in Brazil: Studies in Popular Music’. Journal of World Popular Music, 6(1), 103-107. https://doi.org/10.1558/jwpm.28450