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  1. Home /
  2. Archives /
  3. Vol. 4 No. 1

Vol. 4 No. 1

Published: 2012-12-07

Articles

  • Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939)

    Nathan Platte
    45-64
    • Requires Subscription or Fee PDF (GBP 23)
  • "A Brilliant New Symphonic Effect" The "New" Early Music in Stothart's Score for Romeo and Juliet (1936)

    Linda K. Schubert
    27-43
    • Requires Subscription or Fee PDF (GBP 23)
  • The Problem of Music in a Historical Film

    Herbert Stothart
    21-26
    • Requires Subscription or Fee PDF (GBP 23)
  • The Operatic Stothart Leitmotifs and Tonal Organization in Two Versions of Rose Marie

    Ronald Rodman
    5-19
    • Requires Subscription or Fee PDF (GBP 23)

Reviews

  • Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)].

    James Wierzbicki
    73-75
    • PDF
  • Marcia J. Citron. When Opera Meets Film, Cambridge and New York: Cambridge University Press, 2010 [xviii, 324p. ISBN 9780521895750. 55.00€ or $95.00 (hbk)] Cambridge Studies in Opera.

    James L. Zychowicz
    69-72
    • PDF
  • Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039.

    Tony Fonseca
    65-68
    • PDF

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