On Rotating Positions in Archaeology, Art, and Architecture

'Grindbakken'

Authors

  • Maarten Liefooghe Universiteit Gent/Vrije Universiteit Brussel

DOI:

https://doi.org/10.1558/jca.32413

Keywords:

expanded fields, professional mobility, architecture exhibitions

Abstract

This article questions the usefulness of new container labels like ‘creative archaeology’ to denominate practices beyond more traditional understandings of art or archaeology. Such new labels risk to smooth out the differences between practices that take different positions in one of the many possible interfaces between art and archaeology. Terminology that does not provoke resistance because it masks disciplinary differences is less interesting than a variegated discourse that allows to reflect critically on the different epistemic and aesthetic stakes and merits among ‘creative practices’ in art/archaeology and that can help to make these practices reflexive. A case is made for acknowledging the professional mobility of disciplinary attitudes while retaining the critical frameworks of distinct disciplinary fields. Such mobility is explored in the case of the in situ Grindbakken exhibition by Belgian architecture collective Rotor.

Author Biography

  • Maarten Liefooghe, Universiteit Gent/Vrije Universiteit Brussel

    Maarten Liefooghe is Assistant Professor in the Department of Architecture and Urban Planning at Ghent University. When writing this article he was Assistant Professor in the Art History and Archaeology Department at Vrije Universiteit Brussel, and FWO Postdoctoral Fellow. At Universiteit Ghent: FWO post-doctoral research fellow at the Department of Architecture and Urban Planning

References

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Published

2018-02-19

Issue

Section

Creative Archaeologies Forum

How to Cite

Liefooghe, M. (2018). On Rotating Positions in Archaeology, Art, and Architecture: ’Grindbakken’. Journal of Contemporary Archaeology, 4(2), 138-147. https://doi.org/10.1558/jca.32413