Figure and Field in the Anthropocene

Authors

  • Jeffrey Benjamin Columbia University

DOI:

https://doi.org/10.1558/jca.25835

Keywords:

Industrial Revolution, industry, art, waste landscapes

Abstract

The following thoughts will inevitably find themselves in the service of a central idea: the creation of a discursive common ground – that is, the production of a set of assumptions, beliefs and common terms that find acceptance and use, and which form the basis for conversation and dialogue. So, in the simple act of gathering a group of essays under the title “Making Ground”, we have created a discursive commons that allows discrete and unique thoughts and ideas to find expression. This notion – the creation of a discursive commons – is the guiding theme of this essay, where it begins and where it will end. It is also very important to note that (although I do not think it is the case in this instance) a discursive commons can be created through evasion as much as through attraction: by advancing or proposing a theme that is somehow repellant to an existing field of discourse, a new common ground can be created. Therefore, the overt rejection of a discursive commons, or the rejection of a conceptual assertion, in many ways serves the same purpose as its acceptance. 

Author Biography

  • Jeffrey Benjamin, Columbia University

    Jeffrey Benjamin is an archaeologist and artist living and working in the Catskill Mountains of New York. His work is concerned with the sensory and emotive aspects of American industrialization. He holds a PhD in archaeology from Columbia University.

References

Augoyard, J.-F. and H. Torgue, eds. 2005. Sonic Experience: A Guide to Everyday Sounds Montreal: McGill-Queen’s University Press. https://doi.org/10.1515/9780773576919

Berger, J. 1967. A Fortunate Man. New York: Pantheon.

Bliss, L. 2016. “The Conceptual Artist Who Saved a Struggling Town.” The Atlantic: City Lab, 14 October. Online: http://www.citylab.com/politics/2016/10/the-conceptual-artist-who-saved-a-failing-town/504140/

Eliot, T. S. 1922. The Waste Land. New York: Boni and Liveright.

Fields, R. A. 1997. Range of Opportunity: A Historic Study of The Copper Range Company. Houghton, MI: Quincy Mine Hoist Association and the Program in Industrial History and Archaeology, Department of Social Sciences, Michigan Technological University.

Francaviglia, R. V. 1991. Hard Places: Reading the Landscape of America’s Historic Mining Districts. Iowa City: University of Iowa Press.

Frankel, D. 2016. “The Dog.” Litro Magazine, 15 October. Online: https://www.litromagazine.com/every-saturday-litro-magazine-publishes-essays-that-reach-far-beneath-the-surface/the-dog/

Gardner, J. Forthcoming. “What Makes a Wasteland? A Contemporary Archaeology of Urban Waste Sites.” Urban Dissonance, special issue of Historical Archaeology.

Gilchrist, A. 1976. Footsteps Across Cement: A History of the Township of Rosendale, New York. [No location]: Lith Art.

Hoes, R. R. 1910 “James S. McEntee’s Story of the Canal.” Olde Ulster 6 (10): 289–304.

Holm, B. 1985. The Music of Failure. Marshall, MN: Plains Press.

Kaprow, A. 1993. Essays on the Blurring of Art and Life. Berkeley: University of California Press.

New Paltz Independent. 1873. “Rosendale News, LeFevre Falls.” New Paltz Independent, 13 May.

Puusemp, E., K. Puusemp and R. Puusemp. 2022. “ y (Gamma)” in An/Aesthetics. Rosendale, NY: Century House Historical Society.

Puusemp, R.. 2012 [1980]. Beyond Art: Dissolution of Rosendale, N.Y., A Public Work. Dublin: Project Art Centre.

Rancière, J. 2005. The Politics of Aesthetics: The Distribution of the Sensible. New York: Continuum.

Raymo, C. and M. E. Raymo. 1989. Written in Stone: A Geological History of the Northeastern United States. Hensonville, NY: Black Dome.

Richardson, C. 2012. “Waste to Monument: John Latham’s Niddrie Woman: Art & Environment.” Tate Papers 17. Online: https://www.tate.org.uk/research/tate-papers/17/waste-to-monument-john-lathams-niddrie-woman

Ricoeur, P. 2004. Memory, History, Forgetting. Trans. K. Blamey and D. Pellauer. Chicago: The University of Chicago Press. https://doi.org/10.7208/chicago/9780226713465.001.0001

Schjeldahl, P. 2019. Hot, Cold, Heavy, Light: 100 Art Writings, 1988-2018. Ed. J. Earnest. New York: Abrams.

Taussig, M. 2020. Mastery of Non-Mastery in the Age of Meltdown. Chicago: University of Chicago Press. https://doi.org/10.7208/chicago/9780226698700.001.0001

Werner, D. 2006. Fourth and Fifth Binnewater Lakes: A History of the Area. Rosendale, NY: Century House Historical Society.

Werner, D. and K. C. Burmeister. 2007. “An Overview of the History and Economic Geology of the Natural Cement History at Rosendale, Ulster County, New York.” Journal of ASTM International 4 (6): Article JAI100672. https://doi.org/10.1520/JAI100672

Downloads

Published

2023-10-25

How to Cite

Benjamin, J. (2023). Figure and Field in the Anthropocene. Journal of Contemporary Archaeology, 10(1), 110-123. https://doi.org/10.1558/jca.25835